Tulsa Studies in Women's Literature

Articles

All article-length sumbmissions to Tulsa Studies that meet the criteria detailed above receive three readings: first two readings by members of the Editorial Board and specialist reader and then one by the Editor. Final decisions for publication rest witht he Editor. Submissions are given anonymous reviews. Contributors' names should not appear on manuscripts but rather on a cover letter. Authors may speak ain the first person but should not identify themselves by name in the text of the essay or in the accompanying notes.

Submissions should be accompanied by a cover letter and an abstract of no more than 100-200 words. Articles should not exceed twenty-five pages and must conform to the 15th edition of The Chicago Manual of Style. Contributors are responsible for providing complete and accurate bibliographical documentation. Standard typeface is required on all texts, including computer-printed manuscripts. All submissions must be in English; foreign-language submissions must be in English; translations provided by the author.

Tulsa Studies in Women's Literature at the Univeristy of Tulsa holds copyright on all published materials.

Notes

Notes in Tulsa Studies need to 1) present new, factual material concerning a writer or her work; or 2) illuminate a problem of textual interpretation based on factual bibliographical or biographical information.

Notes should be limited to 2500 words.

Contributions to Archives

Contributions to Archives should be presented as either bibliographies or essays on archival research and limited to 1500-3000 words (see description on p. 144 of Vol. 5, No. 1).

Queries

Queries request information or share aspects of research in progress with a view to opening informed discussion.

Queries should be limited to 2500 words.

Book Reviews

Tulsa Studies publishes both Book Reviews and Review Essays. Book Reviews are solicited by the Book Review Editor; Review Essays are commissioned by the Editor.

Publishers may send review copies to the following address:

Attn: Book Review Editor
Tulsa Studies in Women's Literature
University of Tulsa
800 South Tucker Drive
Tulsa, Oklahoma 74104

Current List of Book Received

A. L. Kennedy. Edited by Kaye Mitchell. London: Palgrave Macmillan, 2008.

Art and the Transitional Object in Vernon Lee’s Supernatural Tales. By Patricia Pulham. Burlington: Ashgate Publishing Company, 2008.

A-Quiver with Significance: Marianne Moore 1932-1936. By Marianne Moore. Edited and introduction by Heather Cass White. Victoria: ELS Editions, 2008.

The Cambridge Introduction to George Eliot. By Nancy Henry. Cambridge: Cambridge University Press, 2008.

Come Buy, Come Buy: Shopping and the Culture of Consumption in Victorian Women’s Literature. By Krista Lysack. Athens: Ohio University Press, 2008.

Contemporary African American Women Playwrights: A Casebook. Edited by Philip C. Kolin. New York: Routledge, 2007.

Dearest Anne: A Tale of Impossible Love. By Judith Katzir. Translated by Dalya Bilu. Afterword by Hanna Ovnat-Tamir. New York: The Feminist Press at The City University of New York, 2008.

Djuna Barnes’ Consuming Fictions. By DianeWarren. Burlington: Ashgate Publishing Company, 2008.

From Cohen to Carson: The Poet’s Novel in Canada. By Ian Rae. Montreal: McGill-Queen’s University Press, 2008.

Fuller in Her Own Time: A Biographical Chronicle of Her Life, Drawn from Recollections, Interviews, and Memoirs by Family, Friends, and Associates. Edited by Joel Myerson. Iowa City: University of Iowa Press, 2008.

Galactic Suburbia: Recovering Women’s Science Fiction. By Lisa Yaszek. Columbus: Ohio State University Press, 2008.

Grotesque Relations: Modernist Domestic Fiction and the U.S. Welfare State. By Susan Edmunds. Oxford: Oxford University Press, 2008.

Little House, Long Shadow: Laura Ingalls Wilder’s Impact on American Culture. By Anita Clair Fellman. Columbia: University of Missouri Press, 2008.

Little Songs: Women, Silence, and the Nineteenth-Century Sonnet. By Amy Christine Billone. Columbus: Ohio State University Press, 2007

Memoirs. By Hortense Mancini and Marie Mancini. Edited and Translated by Sarah Nelson. The Other Voice in Early Modern Europe. Chicago: University of Chicago Press, 2008.

Performing Grief: Bridal Laments in Rural China. By Anne E. McLaren. Honolulu: University of Hawai‘i Press, 2008.

Reckonings: Contemporary Short Fiction by Native American Women. Edited by Hertha D. Sweet Wong, Lauren Stuart Muller, and Jana Sequoya Magdaleno. Oxford: Oxford University Press, 2008.

Reform and Resistance: Formations of Female Subjectivity in Early Medieval Ecclesiastical Culture. By Helene Scheck. Albany: State University of New York Press, 2008.

The Signifying Body: Toward an Ethics of Sexual and Racial Difference. By Penelope Ingram. New York: State University of New York Press, 2008.

Toni Morrison and the Idea of Africa. By La Vinia Delois Jennings. Cambridge: Cambridge University Press, 2008.

Victorian Freaks: The Social Contexts of Freakery in Britain. Edited by Marlene Tromp. Columbus: The Ohio State University Press, 2008.

Virginia Woolf and the Victorians. By Steve Ellis. Cambridge: Cambridge University Press, 2007.

Vision, Gender, and Power in Nineteenth-Century American Women’s Writing, 1860-1900. By Birgit Spengler. American Studies – A Monograph Series, Vol. 161. Heidelberg: Universitätsverlag Winter, 2008.

Voices From Fairyland: The Fantastical Poems of Mary Coleridge, Charlotte New, and Sylvia Townsend Warner. Edited by Theodora Goss. Conversation Pieces, Volume 20. Seattle: Aqueduct Press, 2008.

When “I” Was Born: Women’s Autobiography in Modern China. By Jing M. Wang. Madison: University of Wisconsin Press, 2008.

Women and the Comic Plot in Menander. By Ariana Traill. Cambridge: Cambridge University Press, 2008.

Women Novelists and the Ethics of Desire, 1684-1814: In the Voice of Our Biblical Mothers. By Elizabeth Kraft. Burlington: Ashgate Publishing Company, 2008.

Women Novelists Before Jane Austen: The Critics and Their Canons. By Brian Corman. Toronto: University of Toronto Press, 2008.

Women, Sociability and Theatre in Georgian London. By Gillian Russell. Cambridge: Cambridge University Press, 2007.

Women Writers and Public Debate in 17 th Century Britain. By Catharine Gray. New York: Palgrave MacMillan, 2007.

Tulsa Studies in Women's Literature
Submissions Tulsa Studies in Women's Literature welcomes the submission of Articles, Notes, Contributions to Archives, Queries and Book Reviews on literature in all time periods and places, including foreign-language literatures, and in every genre—poetry, prose, drama, essays, diaries, memoirs, journalism, and criticism. While articles need not be exclusively concerned with female writers, the focus must be on women and writing, explicating the specific links between the woman writer and her work. Tulsa Studies particularly encourages work in feminist critical and literary theory. Articles that introduce the work of unknown or lesser-known women writers or that provide new interpretations of works by well-known women writers must place the writer and her work in some larger literary, historical, political, or social framework and argue a thesis that encompasses more than a reading of a single text or several texts by a single author. Mailed Submissions should be addressed to Editor, Tulsa Studies in Women's Literature, The University of Tulsa, 800 Tucker Drive, Tulsa, OK 74104-3189. Tulsa Studies requests that an original and three copies of the manuscript by submitted with a self-addressed envelope bearing postage sufficient for the return of one copy of the manuscript (U.S. postage). Electronic Submissions will be accepted as a Microsoft Word attachment (1997-2003 compatible). Send files to tswl@utulsa.edu with a subject line "manuscript submission." Cover letters should be sent as a seperate attachment.
Articles All article-length sumbmissions to Tulsa Studies that meet the criteria detailed above receive three readings: first two readings by members of the Editorial Board and specialist reader and then one by the Editor. Final decisions for publication rest witht he Editor. Submissions are given anonymous reviews. Contributors' names should not appear on manuscripts but rather on a cover letter. Authors may speak ain the first person but should not identify themselves by name in the text of the essay or in the accompanying notes. Submissions should be accompanied by a cover letter and an abstract of no more than 100-200 words. Articles should not exceed twenty-five pages and must conform to the 15th edition of The Chicago Manual of Style. Contributors are responsible for providing complete and accurate bibliographical documentation. Standard typeface is required on all texts, including computer-printed manuscripts. All submissions must be in English; foreign-language submissions must be in English; translations provided by the author. Tulsa Studies in Women's Literature at the Univeristy of Tulsa holds copyright on all published materials. Notes Notes in Tulsa Studies need to 1) present new, factual material concerning a writer or her work; or 2) illuminate a problem of textual interpretation based on factual bibliographical or biographical information. Notes should be limited to 2500 words. Contributions to Archives Contributions to Archives should be presented as either bibliographies or essays on archival research and limited to 1500-3000 words (see description on p. 144 of Vol. 5, No. 1). Queries Queries request information or share aspects of research in progress with a view to opening informed discussion. Queries should be limited to 2500 words. Book Reviews Tulsa Studies publishes both Book Reviews and Review Essays. Book Reviews are solicited by the Book Review Editor; Review Essays are commissioned by the Editor. Publishers may send review copies to the following address: Attn: Book Review Editor Tulsa Studies in Women's Literature University of Tulsa 800 South Tucker Drive Tulsa, Oklahoma 74104 Current List of Book Received A. L. Kennedy. Edited by Kaye Mitchell. London: Palgrave Macmillan, 2008. Art and the Transitional Object in Vernon Lee’s Supernatural Tales. By Patricia Pulham. Burlington: Ashgate Publishing Company, 2008. A-Quiver with Significance: Marianne Moore 1932-1936. By Marianne Moore. Edited and introduction by Heather Cass White. Victoria: ELS Editions, 2008. The Cambridge Introduction to George Eliot. By Nancy Henry. Cambridge: Cambridge University Press, 2008. Come Buy, Come Buy: Shopping and the Culture of Consumption in Victorian Women’s Literature. By Krista Lysack. Athens: Ohio University Press, 2008. Contemporary African American Women Playwrights: A Casebook. Edited by Philip C. Kolin. New York: Routledge, 2007. Dearest Anne: A Tale of Impossible Love. By Judith Katzir. Translated by Dalya Bilu. Afterword by Hanna Ovnat-Tamir. New York: The Feminist Press at The City University of New York, 2008. Djuna Barnes’ Consuming Fictions. By DianeWarren. Burlington: Ashgate Publishing Company, 2008. From Cohen to Carson: The Poet’s Novel in Canada. By Ian Rae. Montreal: McGill-Queen’s University Press, 2008. Fuller in Her Own Time: A Biographical Chronicle of Her Life, Drawn from Recollections, Interviews, and Memoirs by Family, Friends, and Associates. Edited by Joel Myerson. Iowa City: University of Iowa Press, 2008. Galactic Suburbia: Recovering Women’s Science Fiction. By Lisa Yaszek. Columbus: Ohio State University Press, 2008. Grotesque Relations: Modernist Domestic Fiction and the U.S. Welfare State. By Susan Edmunds. Oxford: Oxford University Press, 2008. Little House, Long Shadow: Laura Ingalls Wilder’s Impact on American Culture. By Anita Clair Fellman. Columbia: University of Missouri Press, 2008. Little Songs: Women, Silence, and the Nineteenth-Century Sonnet. By Amy Christine Billone. Columbus: Ohio State University Press, 2007 Memoirs. By Hortense Mancini and Marie Mancini. Edited and Translated by Sarah Nelson. The Other Voice in Early Modern Europe. Chicago: University of Chicago Press, 2008. Performing Grief: Bridal Laments in Rural China. By Anne E. McLaren. Honolulu: University of Hawai‘i Press, 2008. Reckonings: Contemporary Short Fiction by Native American Women. Edited by Hertha D. Sweet Wong, Lauren Stuart Muller, and Jana Sequoya Magdaleno. Oxford: Oxford University Press, 2008. Reform and Resistance: Formations of Female Subjectivity in Early Medieval Ecclesiastical Culture. By Helene Scheck. Albany: State University of New York Press, 2008. The Signifying Body: Toward an Ethics of Sexual and Racial Difference. By Penelope Ingram. New York: State University of New York Press, 2008. Toni Morrison and the Idea of Africa. By La Vinia Delois Jennings. Cambridge: Cambridge University Press, 2008. Victorian Freaks: The Social Contexts of Freakery in Britain. Edited by Marlene Tromp. Columbus: The Ohio State University Press, 2008. Virginia Woolf and the Victorians. By Steve Ellis. Cambridge: Cambridge University Press, 2007. Vision, Gender, and Power in Nineteenth-Century American Women’s Writing, 1860-1900. By Birgit Spengler. American Studies – A Monograph Series, Vol. 161. Heidelberg: Universitätsverlag Winter, 2008. Voices From Fairyland: The Fantastical Poems of Mary Coleridge, Charlotte New, and Sylvia Townsend Warner. Edited by Theodora Goss. Conversation Pieces, Volume 20. Seattle: Aqueduct Press, 2008. When “I” Was Born: Women’s Autobiography in Modern China. By Jing M. Wang. Madison: University of Wisconsin Press, 2008. Women and the Comic Plot in Menander. By Ariana Traill. Cambridge: Cambridge University Press, 2008. Women Novelists and the Ethics of Desire, 1684-1814: In the Voice of Our Biblical Mothers. By Elizabeth Kraft. Burlington: Ashgate Publishing Company, 2008. Women Novelists Before Jane Austen: The Critics and Their Canons. By Brian Corman. Toronto: University of Toronto Press, 2008. Women, Sociability and Theatre in Georgian London. By Gillian Russell. Cambridge: Cambridge University Press, 2007. Women Writers and Public Debate in 17 th Century Britain. By Catharine Gray. New York: Palgrave MacMillan, 2007.
	_____________________________________________________________________ Current Issue \|\| Forthcoming Issue Submissions \|\| Subscriptions \|\| Advertising Advisory and Editorial Boards \|\| Editorial Staff \|\| Index \|\| Contact Us Tulsa Studies in Women's Literature A scholarly journal devoted to the study of women's writing of all periods and nationalities "The white saxifrage with the indented leafe is moste commended for the breakinge of the Stone." (Turner, Herbal, III, 68 [1568])