CURRENT JJ CHECKLIST (102)
William S. Brockman
Pennsylvania State University
We are pleased to announce the inauguration of The James Joyce Checklist Online, a collaboration between the JJQ and the HarryRansom Humanities Research Center at the University of Texas. Atpresent, the online version compiles the contents of all Checklistsdating back to 1996, complete retrospective indexing for the JJQ backto its inception in 1963, and citations to numerous books and articlesand the contents of other Joyce journals for a total of over eighteenthousand items. The URL for the online Checklist is <http://research.hrc.utexas.edu/jamesjoycechecklist/>. We invite your comments andsuggestions.
The small army of contributors to this issue’s checklist includes Iris Bruderer-Oswald, Zelma Catalan, Tim Conley, Will Goodwin, Michael Groden, Judith Harrington, K. P. S. Jochum, Jacques Pourcher, Franca Ruggieri, Fritz Senn, Lissette Szwydky, Jolanta Wawrzycka, and Andreas Weigel. Our thanks to all. Please send contributions to your bibliographer at W329 Pattee, Pennsylvania State University, University Park, PA 16802, or via e-mail to uxb5@psu.edu.
The following abbreviations apply throughout:
D 2: Deming’s Bibliography of James Joyce Studies, 2d ed.
S-C: Slocum and Cahoon’s Bibliography of James Joyce, 1882-1941.
CC: Current JJ Checklist.
After the Race. Weston-super-Mare, UK: Dateman Books, 2007. n.p. [Miniature edition, 27 x 30 mm.]
Anna Livia Plurabella. Trans. Mario Grut. Lund: Ellerström, 2001. 54 pp. ISBN 91-7247-038-0. [Swedish trans.]
“The Dead.” My Mistress’s Sparrow Is Dead: Great Love Stories from Chekhov to Munro. Ed. Jeffrey Eugenides. New York: Harper, 2008. 62-103. ISBN 0-06-124037-0.
(Dubliñczycy. 2005.) [Rev.: Adam Poprawa, “Zbyt wiele dróg wychodzi z Dublina, ¿eby...” Tygodnik powszechny no. 21 (2005): Ksi¹¿ki w Tygodniku, 14.]
“From Portrait of the Artist as a Young Man (1916).” Bedrock: Writers on the Wonders of Geology. Ed. Lauret E. Savoy, Eldridge M. Moores, and Judith E. Moores. San Antonio: Trinity University Press, 2006. 46. ISBN 1-59534-022-X. [Excerpt from the sermon, beginning “You have often seen the sand on the seashore.”]
(Portret artysty w wieku m³odzieñczym. 2005.) [Rev.: Adam Poprawa, “Joyce te¿ za drugim razem,” Tygodnik powszechny no. 9 (2006): Ksi¹¿ki w Tygodniku, 6-7.]
Számûzöttek színmû James Joyce. Trans. András Kappanyos. [Budapest]: Arktisz: OSZMI, 2001. 114 pp. [Hungarian trans. of Exiles.]
AIAZZI, Anna Maria. “Il farsi di una traduzione memorabile: l’Ulisse di Joyce nel fondo Giulio de Angelis.” LEA - Letterature d’Europa e d’America 1 (2004): 349-59. <http://www3.unifi.it/rivlea/upload/sub/LEA0_110505/Il_farsi_di_una_traduzione_memorabile.pdf>.
ARMAND, Louis. “From Retro-Virus to Hypertext.” Solicitations: Essays on Criticism and Culture. Prague: Litteraria Pragensia, 2005. 156-85. ISBN80-239-5045-2.
ARMAND, Louis. “The Gutenberg Effect.” Solicitations: Essays on Criticism and Culture. Prague: Litteraria Pragensia, 2005. 129-46. ISBN 80-239-5045-2.[FW as an artifact and a response to Donald Theall’s Beyond the Word.]
ARMAND, Louis. “Literate Technologies.” Solicitations: Essays on Criticism and Culture. Prague: Litteraria Pragensia, 2005. 147-55. ISBN 80-239-5045-2.
ARMAND, Louis. “Spectres of Sovereignty.” Solicitations: Essays on Criticism and Culture. Prague: Litteraria Pragensia, 2005. 193-211. ISBN 80-239-5045-2. [Stephen, the Dean of Studies, and the tundish.]
ARMAND, Louis. “Writing After: Joyce, Cage...” Solicitations: Essays on Criticism and Culture. Prague: Litteraria Pragensia, 2005. 186-92. ISBN80-239-5045-2.
AZéRAD, Hugo. L’univers constellé de Proust, Joyce et Faulkner: Le Concept d’épiphanie dans l’esthétique du modernisme. European Connections, 5.Oxford: Peter Lang, 2002. 474 pp. ISBN 3-906769-61-5.
BATES, Robin E. “Hamlet and Other Kinds of In-between-ness.” Shakespeare and the Cultural Colonization of Ireland. Literary Criticism and CulturalTheory. New York: Routledge, 2008. 81-108. ISBN 0-415-95816-4. [Stephenand father-son relationships in U.]
BECKSON, Karl. “James Joyce.” The Religion of Art: A Modernist Theme in British Literature, 1885-1925. AMS Studies in Cultural History, 8. New York:AMS Press, 2006. 105-28. ISBN 0-404-642586.
BLOOM, Harold, ed. Leopold Bloom. Bloom’s Major Literary Characters. Philadelphia: Chelsea House, 2004. xiii, 179 pp. ISBN 0-7910-7668-7. [Contents: David Hayman, “Dublin, June 16, 1904 and Two Characters and a City-Scape,” 7-19; Richard Ellmann, “Bloom Unbound,” 21-25; Hugh Kenner, “The Hidden Hero,” 27-38; Fritz Senn, “Bloom among the Orators: The Why and the Wherefore and All the Codology,” 39-56; Suzette A. Henke, “Uncoupling Ulysses: Joyce’s New Womanly Man,” 57-79; Vincent J. Cheng, “Imagining Futures: Nations, Narratives, Selves,” 81-86; Marilyn Reizbaum, “Weininger and the Bloom of Jewish Self-Hatred in Joyce’s Ulysses,” 87-95; Peter Francis Mackey, “Contingency and Bloom’s Becoming,” 97-121; Karen R. Lawrence, “‘Twenty Pockets Arent Enough for Their Lies’: Pocketed Objects as Props of Bloom’s Masculinity in Ulysses,” 123-31; Zack Bowen, “Millennial Bloom,” 133-41; Andrew Gibson, “Only a Foreigner Would Do: Leopold Bloom, Ireland, and Jews,” 143-59; “Character Profile,” 161-64.]
Bloomsday Journal (2004). [Contents: Hans Walter Gabler, “Giacomo Giornalista,” 1-7; Fritz Senn, “One Book Entitled Ulysses,” 8-11; Paul Joyce, “‘Shut your eyes and see’: A Dialog between Achilles and the Tortoise (with apologies to Lewis Carroll),” 12-15; Ken Monaghan, “Joyce’s Dublin Family,” 16-19; James Heffernan, “Joyce and Pacifism,” 20-22; Tim Conley, “Ulysses: ‘A hard one, sir,’” 23-25; Victor Luftig, “Safe,” 26-28; John McCourt, “Ulysses: A Joycean Tale of Two Cities,” 29-31; Paul Schwaber, “A Telling Moment in Ulysses,” 32-34; Allen Ruch, “Speak to Us of Emailia! A Reflection on the Last Ten Years of the Bloomsday Centennial,” 35-38; Christopher Lehmann-Haupt, “Under the Influence,” 39-41; Kathleen Rittinger, “Milly Blooms,” 42.]
Bloomsday Journal (2005). [Contents: Nell Logan Abernathy, “Bloomsday,” 1-2; Tim Conley, “Confused Adorations: On First Reading ‘Araby,’” 3-6; Christopher Lehmann-Haupt, “On Re-Reading and Relaxing with James Joyce’s Dubliners,” 7-11; John McCourt, “Biografiending Joyce,” 12-17.]
BRAND, Samantha. “Four Thousand Words on Finnegans Wake: The Misuse of Copyright Doctrine and the Controversy Surrounding the Estate of James Joyce.” Cardozo Arts & Entertainment Law Journal 25, iii (2008): 1229-55.
BROWN, Richard, ed. A Companion to James Joyce. Malden, MA: Blackwell Publishing, 2008. xviii, 440 pp. ISBN 978-1-4051-1044-0. [Contents: Richard Brown, “Introduction: Re-readings, Relocations, and Receptions,” 1-16; Vicki Mahaffey, “Dubliners: Surprised by Chance,” 19-33; John Paul Riquelme, “Desire, Freedom, and Confessional Culture in A Portrait of the Artist as a Young Man,” 34-53; Maud Ellmann, “Ulysses: The Epic of the Human Body,” 54-70; Finn Fordham, “Finnegans Wake: Novel and Anti-Novel,” 71-89; Geert Lernout, “European Joyce,” 93-107; John Nash, “‘In the Heart of the Hibernian Metropolis?’ Joyce’s Reception in Ireland, 1900-1940,” 108-22; John McCourt, “His città immediata: Joyce’s Triestine Home from Home,” 123-36; Robert K. Weninger, “James Joyce and German Literature, or Reflections on the Vagaries and Vacancies of Reception Studies,” 137-56; Richard Brown, “Molly’s Gibraltar: The Other Location in Joyce’s Ulysses,” 157-73; Mark Wollaeger, “Joyce and Postcolonial Theory: Analytic and Tropical Modes,” 174-92; Eishiro Ito, “‘United States of Asia’: James Joyce and Japan,” 193-206; Krishna Sen, “Where Agni Araflammed and Shiva Slew: Joyce’s Interface with India,” 207-21; David G. Wright, “Joyce and New Zealand: Biography, Censorship, and Influence,” 223-38; Declan Kiberd, “Joyce’s Homer, Homer’s Joyce,” 241-53; Jean-Michel Rabaté, “The Joyce of French Theory,” 254-69; R. Brandon Kershner, “Joyce, Music, and Popular Culture,” 270-85; Daniel Ferrer, “The Joyce of Manuscripts,” 286-99; Mark Taylor-Batty, “Joyce’s Bridge to Late Twentieth-Century British Theater: Harold Pinter’s Dialogue with Exiles,” 300-17; Christa-Maria Lerm Hayes, “The Joyce Effect: Joyce in Visual Art,” 318-40; Derval Tubridy, “‘In his secondmouth language’: Joyce and Irish Poetry,” 341-58; Luke Gibbons, “‘Ghostly Light’: Spectres of Modernity in James Joyce’s and John Huston’s ‘The Dead,’” 359-73; Katherine Mullin, “Joyce through the Little Magazines,” 374-89; Jane Lewty, “Joyce and Radio,” 390-406; Luke Thurston, “Scotographia: Joyce and Psychoanalysis,” 407-26.]
BROWN, Richard. “More ‘Sherlockholmesing’ in Ulysses.” Notes and Queries 253 (n.s. 55), i (March 2008): 66-68.
BRUDERER-OSWALD, Iris. Das Neue Sehen: Carola Giedion-Welcker und die Sprache der Moderne. Bern and Sulgen: Benteli Verlags, 2007. 462 pp. ISBN978-3-7165-1450-4. [JJ, passim.]
BRUNI ROCCIA, Gioiella. Myriadminded Men: Coleridge & Joyce. Piccola Biblioteca Joyciana, 4. Rome: Bulzoni Editore, 2008. 143 pp. ISBN 978-88-7870-285-1.
(BULSON, Eric. The Cambridge Introduction to James Joyce. 2006.) [Rev.: Cóilín Owens, Irish Literary Supplement 27, ii (2008): 15.]
CHEUSE, Alan. “Rereading A Portrait of the Artist as a Young Man.” Sewanee Review 114, iii (Summer 2006): 448-55.
CORTI, Claudia. Esuli: Dramma, psicodramma, metadramma. Joyciana, 1. Pisa: Pacini Editore, 2007. [112] pp. ISBN 88-7781-852-2.
CREASY, Matthew. “Seven Types of Ambiguity and James Joyce.” Notes and Queries 253 (n.s. 55), i (March 2008): 68-72.
CRIVELLI, Renzo S. “James Joyce ‘italiano’: Trieste come Dublin.” Quaderni del Premio Letterario Giuseppe Acerbi 4 (2003): 78-83.
DE TORO SANTOS, Antonio Raúl. “‘The cracked lookingglass of a servant’: James Joyce, Seamus Heaney y la lengua inglesa.” Nuevas perspectivas críticas en la literatura irlandesa. Ed. María Elena Jaime de Pablos and Margarita Estévez Saá. Colección Literatura y Lingüística, 26. Almería: Universidad de Almería, Servicio de Publicaciones, 2003. 11-25. ISBN 84-8240-641-8.
DELANEY, Juan José. “éibhear Walshe: ‘En la literatura irlandesa de hoy la influencia de Beckett es mayor que la de Joyce.’” Gramma 16, no. 41 (October 2005): 29-31. <http://www.salvador.edu.ar/gramma/41/Gramma_41.pdf>. [Interview.]
DETTMAR, Kevin J. H. “June 16: Paying Homage to an Honorary Citizen.” Chronicle of Higher Education 54, xxxix (6 June 2008): B13. [Bloomsday.]
DOHERTY, Gerald. Pathologies of Desire: The Vicissitudes of the Self in James Joyce’s A Portrait of the Artist as a Young Man. New York: Peter Lang, 2008. xx, 203 pp. ISBN 978-0-8204-9735-8.
DOMíNGUEZ PENA, Mla. Susana, Margarita Estévez Saá, and Anne MacCarthy, eds. The Scallop of Saint James: An Old Pilgrim’s Hoard: Reading Joyce from the Peripheries = Leyendo a Joyce desde las periferias: Including “Two Little Clouds” by Joseph O’Connor. Irish Studies Series. Weston, FL: Netbiblo, 2005. 242 pp. ISBN 0-972989-24-2.
ESTéVEZ SAá, Margarita. “El artista Joyceano: ‘Sí mismo como otro.’” Nuevas perspectivas críticas en la literatura irlandesa. Ed. María Elena Jaime de Pablos and Margarita Estévez Saá. Colección Literatura y Lingüística, 26. Almería: Universidad de Almería, Servicio de Publicaciones, 2003. 27-39. ISBN 84-8240-641-8.
FILIPOVA, Kalina. Dramatised Narration: The Development of Joyce’s Narrative Technique from Stephen Hero to Ulysses. Sofia: St. Kliment Ohridski UniversityPress, 2007. 233 pp. ISBN 978-954-07-2542-0.
FIRCHOW, Peter. “Stephen Anti-Hero: Ironic Passivity in A Portrait of the Artist.” Metamorphosen: Englische Literatur und die Tradition: Festschrift für Wolfgang Riehle. Ed. Hugo Keiper, Maria Löschnigg and Doris Mader.Anglistische Forschungen, 355. Heidelberg: Universitätsverlag Winter,2006. 239-54. ISBN 3-8253-5095-9.
FRANKE, Damon. “The ABCs of ALP: Basic English and Finnegans Wake.” Modernist Heresies: British Literary History, 1883-1924. Columbus: Ohio State University Press, 2008. 201-07. ISBN 0-8142-1074-0.
FRANKE, Damon. “The Recuperation of Bruno and the Canonization of ‘Clay.’” Modernist Heresies: British Literary History, 1883-1924. Columbus: Ohio State University Press, 2008. 130-41. ISBN 0-8142-1074-0.
FUCHS, Dieter. Joyce und Menippos: “A Portrait of the Artist as an Old Dog”. ZAA Monograph Series, 2. Würzburg: Königshausen & Neumann, 2006. 168 pp. ISBN 3-8260-3098-2.
GARCíA NAVARRO, Carmen. “El pensamiento político de James Joyce en The Critical Writings: Idealismo desde el exilio.” The Grove: Working Papers on English Studies 10 (2003): 35-52.
GARCíA TORTOSA, Francisco. “La transculturación de Joyce en España.” Buxía: Arte y pensamiento 1 (2002): 37-44.
GOLDMANN, Márta. James Joyce kritikai fogadtatása Magyarországon. Modern filológiai füzetek, 59. Budapest: Akadémiai Kiadó, 2005. [227] pp. ISBN 963-05-8319-4.
GRODEN, Michael. “ReJoyce.” Globe and Mail (Toronto) (23 February 2008): D13. [U as one of the “50 greatest books.”]
HARTEL, Gaby, and Carola Veit. Samuel Beckett. Suhrkamp BasisBiographie, 13. Frankfurt am Main: Suhrkamp Verlag, 2006. 154 pp. ISBN 3-518-18213-7. [JJ, passim.]
HOROVITZ, Michael. “Book of a Lifetime: Ulysses, by James Joyce.” Independent (London) (23 May 2008).
HUSTON, Jamie. “Genesis, Geniuses, and Guinnesses.” Common Review 4, ii (Fall 2005): 58-59. [Reading FW.]
James Joyce Broadsheet no. 78 (October 2007). [Contents: Emer Nolan, “Post-Colonial Joyce?” (rev. of Len Platt, Joyce, Race and Finnegans Wake, 2007), 1; Romana Zacchi (rev. of Franca Ruggieri, Joyce’s Victorians, 2006), 2; Sam Slote (rev. of Wolfgang Streit, Joyce/Foucault: Sexual Confessions, 2004), 2; Laura Pelaschiar (rev. of Marian Eide, Ethical Joyce, 2002), 2; Richard Brown, “Joyce, Soul Mountain and China,” 3; AnnKatrin Jonsson (rev. of Deborah Parsons, Theorists of the Modernist Novel: James Joyce, Dorothy Richardson, Virginia Woolf, 2007), 3; Yu-Chen Lin (rev. of Joseph Lennon, Irish Orientalism, 2008), 3; Amanda Sigler, “Trieste Joyce School,” 4; Robert
Nicholson, “Dublin News,” 4.]
James Joyce Broadsheet no. 79 (February 2008). [Contents: Patricia Novillo-Corvalán, “Jorge Luis Borges, Translator of ‘Penelope,’” 1; Mark Sutton (rev. of Luca Crispi and Sam Slote, How Joyce Wrote Finnegans Wake: A Chapterby-Chapter Genetic Guide, 2007), 2; Katie Wales (rev. of Raymond Hickey, Irish English: History and Present-Day Forms [Cambridge: Cambridge UP, 2007]), 2; David Pierce (rev. of Andrew Gibson, James Joyce, 2006), 2; David Pierce (rev. of Ian Pindar, James Joyce, 2004), 2; Lucy Evans (rev. of Robert Antoni, Divina Trace, 1992), 2-3; Cleo Hanaway (rev. of Pascal Bataillard and Dominique Sipière, Dubliners, James Joyce; The Dead, John Huston, 2000), 3; Cleo Hanaway (rev. of Gerardine Meaney, Nora, 2004), 3; Alistair Stead, “Liana Burgess,” 3; Margot Norris, “Jane Ford,” 3; Margot Norris, “David Wright,” 3; Derek Attridge, “Austin Briggs,” 3; John Smurthwaite, “Zürich Workshop 2007,” 3; Robert Nicholson, “Dublin News,” 4.]
James Joyce Literary Supplement 21, i (Spring 2007). [Contents: Timothy J. Sutton, “Joyce’s Myth-Takes” (rev. of Daniel M. Shea, James Joyce and the Mythology of Modernism, 2006), 2; Damian Ward Hey, “Joyce and [Fill in the Blank]” (rev. of David Pierce, Joyce and Company, 2006), 3-4; Robert Weninger, “Seaing through Ulysses” (rev. of Katharina Hagena, Was die wilden Wellen sagen: Der Seeweg durch den Ulysses, 2006), 5-6; Timothy Martin, “Gibson’s Joyce” (rev. of Andrew Gibson, James Joyce, 2006), 6; Alan Roughley, “Modernism’s Engagement with the Oldest Profession” (rev. of Celia Marshik, British Modernism and Censorship, 2006), 7-8; Lelia Menéndez Geijo, “From Dingle to Compostella” (rev. of Mla. Susana Domínguez Pena, Margarita Estévez Saá, and Anne MacCarthy, The Scallop of Saint James, 2006), 8; Agata Szczeszak-Brewer, “Playing the Narrative Game” (rev. of Gerald Doherty, Dubliners’ Dozen: The Games Narrators Play, 2004), 9-10; Thomas J. Cousineau (rev. of Eric Migernier, Beckett and French Theory: The Narration of Transgression [New York: Pater Lang, 2006]), 10; S. E. Gontarski (rev. of Anne Atik, How It Was: A Memoir of Samuel Beckett [Emeryville, CA: Shoemaker & Hoard, 2005]), 11; Amanda Tucker, “Red’s Dirty Old Wolf” (rev. of Ann Martin, Red Riding Hood and the Wolf in Bed: Modernism’s Fairy Tales, 2006), 12; Stephanie Nelson, “Cinematographic Joyce,” 13; Sheldon Brivic, “Daughter Knows Best” (rev. of Jen Shelton, Joyce and the Narrative Structure of Incest, 2006), 14; Frances Ilmberger, “A Generous Bequest,” 15; Christopher DeVault, “Shloss Reaches Settlement with Joyce Estate,” 16.]
James Joyce Literary Supplement 21, ii (Fall 2007). [Contents: Tim Conley, “Did Joyce Leave Us the Secondbest Bed?” (rev. of John Nash, James Joyce and the Act of Reception: Reading, Ireland, Modernism, 2006), 2-3; Christine Froula, “Giacomo Joyce, or Assumed Dongiovannism” (rev. of Louis Armand and Clare Wallace, Giacomo Joyce: Envoys of the Other, 2006), 4-5; Jean Kimball, “The Dilemma of Jung Academics” (rev. of Hiromi Yoshida, Joyce and Jung: Four Stages of Eroticism in A Portrait of the Artist as a Young Man, 2006), 6; Jim LeBlanc, “Risky Readings with Nary a Clunker” (rev. of Sebastian D.G. Knowles, Geert Lernout, and John McCourt, Joyce in Trieste: An Album of Risky Readings, 2007), 7-8; Judith Harrington, “All-Star Joyceans in Zurich, 2007,” 8; Morton P. Levitt, “Cosmopolitan, Very” (rev. of Rebecca L. Walkowitz, Cosmopolitan Style: Modernism Beyond the Nation, 2006), 9-10; John Gordon, “Right about the Crumbs, Wrong about the Stain” (rev. of Eric Bulson, The Cambridge Introduction to James Joyce, 2006), 10-11; Dominic Manganiello, “Collapsing Modernist Distinctions” (rev. of Robert Scholes, Paradoxy of Modernism, 2006), 11; Suzette Henke, “Molly Bloom: Beyond Bedsteadfastness” (rev. of Richard Brown, Joyce, “Penelope,” and the Body, 2006), 12-13; Maria McGarrity, “Joyce for Beginners” (rev. of Derek Attridge, How to Read Joyce, 2007), 13; Jesse Wolfe, “The Value of Aesthetics and the Fractured Self” (rev. of Gregory Castle, Reading the Modernist Bildungsroman, 2006), 14-15; Christopher Whalen, “Crying Over Condensed Milk in the Omphalos of Joyce Studies” 15; Amanda Sigler, “Finding Joyce in Austin,” 16; Jean-Michel Rabaté, “Father Butt’s Revenge” (rev. of Lee Oser, The Ethics of Modernism: Moral Ideas in Yeats, Eliot, Joyce, Woolf and Beckett, 2007), 17; Renzo S. Crivelli, “Joyce Among the Victorians” (rev. of Franca Ruggieri, Joyce’s Victorians, 2007), 18-19; Steve Newman, “In Any Case...” (rev. of Christopher A. Strathman, Romantic Poetry and the Fragmentary Imperative: Schlegel, Byron, Joyce, Blanchot, 2006), 20.]
James Joyce Newestlatter no. 104 (April 2008). [Contents: Jolanta Wawrzycka, “‘To Great End Gathered’... Hamilton College Honors Austin Briggs,” 3; Bonnie Kime Scott, “Jane Ford (April 4, 1921-August 11, 2007),” 7; Margot Norris, “David G. Wright,” 7; and news of the Tours JJ Symposium, publications, events, other conferences, and obituaries for Liana Burgess and Ralph Rader.]
James Joyce Ulysses. Klassiker Kompakt. Zurich: Neue Zürcher Zeitung, 2006. 14 pp.
JERNIGAN, Daniel. “Dubliners James Joyce (1914).” The Facts on File Companion to the British Short Story. Ed. Andrew Maunder. New York: Factson File, 2007. 126-27. ISBN 0-8160-5990-X.
JONSSON, AnnKatrin. Relations: Ethics and the Modernist Subject in James Joyce’s Ulysses, Virginia Woolf’s The Waves, and Djuna Barnes’s Nightwood.Oxford: Peter Lang, 2006. 210 pp. ISBN 3-03910-574-4.
JOUSNI, Stéphane. “Joyce et la pléthore dans Finnegans Wake: Une réécriture post-coloniale de la Famine.” Irlande, écritures et réécritures de la Famine. Ed. Bertrand Cardin and Claude Fierobe. Caen: Presses universitaires de Caen, 2007. 199-214. ISBN 2-84133-289-6.
KAWAGUCHI, Kyoichi. Showa shonen no Yurishizu. Tokyo: Misuzu Shobo, 2005. 292 pp. ISBN 4-62207-146-0. [Ulysses in Japan in the 1930s.]
KILLEEN, Terence. “An Irishman’s Diary.” Irish Times (2 January 2008): 13. [Testimonial to Fritz Senn.]
KLITGåRD, Ida. Fictions of Hybridity: Translating Style in James Joyce’s Ulysses. Odense: University Press of Southern Denmark, 2007. 282 pp. ISBN 87-7674-193-8.
KREUTZER, Eberhard. “James Joyce: Dubliners.” Geschichte der englischen Kurzgeschichte. Ed. Arno Löffler and Eberhard Späth. UTB 2662. Tübingen:A. Francke Verlag, 2005. 171-89. ISBN 3-7720-3370-9.
LERM HAYES, Christa-Maria. “Erweiterte Kunstgeschichte: Carola Giedion-Welcker, Joyce und Brancusi bei Joseph Beuys.” Dazwischen: die Vermittlung von Kunst: Festschrift für Antje von Graevenitz. Ed. Renate Buschmann, Marcel René Marburger and Friedrich Weltzien. [Berlin]: Reimer, 2005. 121-31. ISBN 3-496-01337-0.
LOE, Tom. “‘Dead, The’ James Joyce (1915 [sic]).” The Facts on File Companion to the British Short Story. Ed. Andrew Maunder. New York: Facts on File,2007. 105-06. ISBN 0-8160-5990-X.
LöFFLER, Arno. “Modernistisches Erzählen: Joyces Kurzgeschichte ‘Clay.’” Einführung in das Studium der englischen Literatur. Ed. Arno Löffler, Rudolf Freiburg, Dieter Petzold, and Eberhard Späth. 6th ed. UTB für Wissenschaft, 382. Tübingen: A. Francke Verlag, 2001. 76-93. ISBN 3-8252-0382-4.
MADDOX, Brenda. Nora Joyce: Zywot prawdziwej Molly Bloom. Trans. Waclaw Sadkowski. Biografie. Warsaw: Wydawnictwo Ksiazkowe Twój Styl, 2004. 623 pp. ISBN 83-7163-488-9. [Polish trans. of Nora. Rev.: Adam Poprawa, “Szczuplejsza niz Molly Bloom,” Tygodnik powszechny no. 5 (2005): Ksiazki w Tygodniku, 8-9.]
MAHAFFEY, Vicki. “Elementary, My Dear Reader: Sherlock Holmes and the Narrator of Dubliners.” Modernist Literature: Challenging Fictions. Malden, MA: Blackwell Publishing, 2007. 78-106. ISBN 0-631-21306-6.
MAHAFFEY, Vicki. “Life Painting in Joyce.” Modernist Literature: Challenging Fictions. Malden, MA: Blackwell Publishing, 2007. 154-60. ISBN 0-631-21306-6. [“Nausicaa.”]
MAMIGONIAN, Marc Aram. “The Armenian Genocide in James Joyce’s Finnegans Wake.” The Armenian Genocide: Cultural and Ethical Legacies. Ed. Richard G. Hovannisian. New Brunswick and London: Transaction Publishers, 2007. 81-119. ISBN 0-7658-0367-4.
MANISTA, Frank C. Voice, Boundary, and Identity in the Works of James Joyce. Lewiston: Edwin Mellen Press, 2006. ix, 222 pp. ISBN 0-7734-5522-1.
MAO, Douglas. “Aesthetics of Acuteness.” Fateful Beauty: Aesthetic Environments, Juvenile Development, and Literature, 1860-1960. Princeton:Princeton University Press, 2008. 109-38. ISBN 0-691-13348-4. [Naturalismand aestheticism in Pater, Zola, JJ, and Dreiser.]
MARCUS, Laura. “‘Flicker, flicker...flicker, flick’: John Rodker and James Joyce.” The Tenth Muse: Writing about Cinema in the Modernist Period. Oxford: Oxford UP, 2007. 87-98. ISBN 0-19-923027-7.
MCCLEERY, Alistair. “Dead Hands Keep a Closed Book.” Times Higher Education (5 June 2008). [Copyright and literary estates, focusing on U.]
MCCRACKEN, Scott. “Journeys through the City: James Joyce.” Masculinities, Modernist Fiction and the Urban Public Sphere. Manchester and New York:Manchester University Press, 2007. 40-45. ISBN 0-7190-4483-9.
MCCRACKEN, Scott. “Lestrygonians: A Place to Eat.” Masculinities, Modernist Fiction and the Urban Public Sphere. Manchester and New York: ManchesterUniversity Press, 2007. 80-86. ISBN 0-7190-4483-9.
MCGLYNN, Mary M. Narratives of Class in New Irish and Scottish Literature: From Joyce to Kelman, Doyle, Galloway, and McNamee. New Directions inIrish and Irish American Literature. New York: Palgrave Macmillan, 2008.x, 236 pp. ISBN 0-230-60285-1.
MCMANUS, Patricia. “‘Little Cloud, A’ James Joyce (1914).” The Facts on File Companion to the British Short Story. Ed. Andrew Maunder. New York: Factson File, 2007. 245-46. ISBN 0-8160-5990-X.
MELCHIORI, Giorgio. Joyce barocco = Baroque Joyce. Trans. Barbara Arnett. Piccola Biblioteca Joyciana, 1. Rome: Bulzoni Editore, 2007. 69 pp. ISBN 978-88-7870-183-0.
MELONI, Riccardo. La sveglia di Finnegan: Una chiave di lettura per i misteri di James Joyce. Colibrì: Edizioni Colibrì, 2007. 175 pp. ISBN 88-86345-78-X.
(MORALES LADRóN, Marisol. Las poéticas de James Joyce y Luis Martín-Santos: aproximación a un estudio de deudas literarias. 2005.) [Rev.: Raquel DePedro Ricoy, Bulletin of Hispanic Studies 84, v (2007): 688-89.]
MURPHY, Katharine. “Defining the Artist in Camino de perfección and A Portrait of the Artist as a Young Man.” Re-reading Pío Baroja and English Literature. European Connections, 17. Oxford: Peter Lang, 2004. 19-55.ISBN 0-8204-7226-3.
NAVARRETE FRANCO, Ricardo. “Anna Livia cuando besa: Ejercicio para la lectura de Finnegans Wake.” Nuevas perspectivas críticas en la literatura irlandesa. Ed. María Elena Jaime de Pablos and Margarita Estévez Saá. Colección Literatura y Lingüística, 26. Almería: Universidad de Almería, Servicio de Publicaciones, 2003. 91-112. ISBN 84-8240-641-8.
O’DRISCOLL, Niall, ed. Bloomsday 100: 19th International James Joyce Symposium. Dublin: Hyper Media, 2005. 1 4 3/4” DVD. [Selected audio, video, andelectronic texts of presentations at the Symposium. Contents: Audio files:Srinivas Aravamuden, “Centennial Odysseys and Joycean Arabys”; LeslieBatty, “Beyond Absolution: Sex and the Joycean Confession”; Ranji Khanna,“From Exile to Asylum”; Brenda Maddox, “Selling Out to Stannie”; JamesPribek, “Newman in the Heart of the Hibernian Metropolis”; Linda Scales,“Joyce & Copyright”; Fritz Senn and John Bishop, “Duologue on Ithaca”;Carol Shloss, “To Dance at the Wake: A Reading”; Aibhe Smyth, “In Synchor at Odds? Diary of a Feminist Academic in Ireland”; Robert Spoo,“Joyce and Copyright.” Video files: Eavan Boland, “Plenary Reading”;Zack Bowen, “Ithicanian Fabulations and Historiographic Metafiction”;Joseph Cleary, “Joyce, Ireland, and the Politics of Form”; Maria DiBattista,“Ulysses’ Unanswered Questions”; Michael Groden, “Adventures with Ulysses”; Seamus Heaney, “Seamus Heaney”; Declan Kiberd, “Joyce,Ireland, and the Politics of Form”; Ira Nadel, “Recuperative Biographyand the Joyces”; Emer Nolan, “Joyce, Ireland, and the Politics of Form”;Michael Wood, “The Longest Way Round.” Text files: Nicholas Allen,“Joyce in Transition”; Bruce Arnold, “One Correct Text?”; Eugene L.Arva, “Dog Talk, the Language of Trauma: Unreliable Narrators andDark Humor in ‘Cyclops’”; Sonja Bašiæ, “Perfume of Texts, SubversiveEmbraces: A Cautionary Tale Involving ‘Formalist’ Readings of Ulysses”;Alex Boney, “From Modern Novel to Graphic Novel: What Joyce TaughtUs about Contemporary Epic Narrative”; Hugh Campbell, “The Cityand the Text: Remembering Dublin in Ulysses, Remembering Ulysses inDublin”; Erin G. Carlston, “A Useful Fiction? Joyce, Proust, and the Ideaof a Nation”; Kathryn Cowles, “You Are What You Read: High Art, LowArt, Gender, and Escape in Joyce’s Ulysses”; Aine Dowley, “The Soul ThatWaits Outside: Death and Immortality in Ulysses”; Marian Eide, “In theCompany of Magdalenes: The Social World of Single Women in Joyce’s‘Clay’”; Michael Gillespie, “Past Its Sell-by Date: When to Stop ReadingJoyce Criticism”; Suzette Henke, “A Roonic Parable”; Suzette Henke, “ABloomsday Wedding: Suzette Ann Caffrey Henke, James Francis O’DwyerRooney”; Di Jin, “Joyce for the World: Creative Fidelity in Translating Ulysses”; Margot Norris, “Secrets, Narratology, and Implicature: OnFirst Reading ‘Calypso’”; Paul O’Hanrahan, “The Place of Paris in theFormation of Joyce”; Anthony Paraskeva, “‘In the beginning was the gest’:‘Circe,’ Early Cinema and the Language of Gesture”; David Pierce, “OnLocal Disturbances: Reflections of Joyce’s Use of Language in ‘Sirens’”;Mary Power, “Costuming ‘Circe’”; Birgit G. Schultz, “Movies with a BloomInside: A Collage of Joycean Allusions, Found on the Silver Screen.”]
PATTON, Brian. “‘Araby’ James Joyce (1914).” The Facts on File Companion to the British Short Story. Ed. Andrew Maunder. New York: Facts on File, 2007.17-19. ISBN 0-8160-5990-X.
PAZIñSKI, Piotr. Labirynt i drzewo: studia nad Ulissesem Jamesa Joyce’a. Kraków: Austeria, 2005. 428 pp. ISBN 83-8912-908-6. [Rev.: Adam Poprawa, “Mechanika, organicznoœæ i cytrynowe myd³o,” Tygodnik powszechny no. 50: Ksi¹¿ki w Tygodniku, 16-17.]
PITTLER, Andreas. Samuel Beckett. DTV Portrait, 31082. Munich: Deutscher Taschenbuch Verlag, 2006. 187 pp. ISBN 3-423-31082-0. [JJ, passim.]
PUGLIATTI, Paola, and Donatella Pallotti. “Oltre i limiti del monologo interiore: Sperimentazione narrativa e discorsiva nel decimo episodio di Ulysses.” LEA - Letterature d’Europa e d’America 1 (2004): 130-65. <http:// www3.unifi.it/rivlea/upload/sub/LEA0_110505/Oltre_i_limiti_del_monologo_interiore.pdf>.
RANDACCIO, Monica. “Decolonising Ulysses in the Neocolonial Irish Society: Conor McPherson’s Plays.” In that Village of Open Doors: le nuove letterature crocevia della cultura moderna: atti del I Convegno, Associazione italiana di studi sulle letterature in inglese, Venezia, 1-3 novembre 2001. Ed. Shaul Bassi, Rosanna Bonicelli and Simona Bertacco. Venice: Cafoscarina, 2002. 351-59. ISBN 88-8861-330-7.
RATHJEN, Friedhelm. Samuel Beckett. Rowohlts Monographien, 50678. Reinbek bei Hamburg: Rowohlt Taschenbuch Verlag, 2006. 155 pp. ISBN 3-499-50678-5. [JJ, passim.]
RAYNAUD, Claudine, ed. Joyce’s Dubliners: Lectures critiques = Critical Approaches: Actes du Colloque de Tours, 17-18 Novembre 2000, GRAAT/British Council in Paris. GRAAT: Publication des Groupes de RecherchesAnglo-Américaines de l’Université François Rabelais de Tours, 23. Tours:Université François Rabelais, 2001. 148 pp. [Contents: Régis Salado,“Dubliners, Gens de Dublin, Dublinois ... Questions de réception et de tra-duction,” 7-23; Lesley Brill, “Other Dubliners: John Huston’s The Dead andJoyce’s ‘The Dead,’” 25-31; Garry Leonard, “The Momentary as Momentous in Dubliners,” 33-40; Marie-Dominique Garnier, “The Dubbing Theatre of Dubliners: Dubbing, Voiceovers, and Post-Synchronisation,” 41-46; R. Brandon Kershner, “Family Resemblances in Dubliners,” 47-52; Pascal Bataillard, “From the Stupidity of a Woman to That of a Thought, and Back: On Idealism and Epiphanies in the Early Joyce, with a Postscript on John Huston’s The Dead,” 53-65; Margot Norris, “The Self-Disputing Text of Dubliners,” 67-74; Claudine Raynaud, “Dead Ends of Desire in Dubliners?” 75-87; Ben Winsworth, “Re-Readings of the Self in ‘The Dead,’” 89-99; Tanja Vesala-Varttala, “Joyce’s Dubliners and Controversial Narrative,” 101-15; Hannu Riikonen, “‘In the gloom of the hall’: Chronotopic Motifs in Dubliners,” 117-23; Claire Majola-Leblond, “De l’oeil à l’oreille: miroirs et fenêtres dans Dubliners,” 125-32; Lorie-Anne Duech, “Literary Voices in Dubliners,” 133-41; David Wright, “‘A Very Fine Piece of Writing’: Endings in Dubliners,” 143-48.]
RICE, Thomas Jackson. Cannibal Joyce. The Florida James Joyce Series. Gainesville: University Press of Florida, 2008. xxi, 208 pp. ISBN 0-8130-3219-9.
RICHARDSON, Brian. “Three Extreme Forms of Narration and a Note on Postmodern Unreliability.” Unnatural Voices: Extreme Narration in Modern and Contemporary Fiction. Theory and Interpretation of Narrative. Columbus: Ohio State UP, 2006. 79-105. ISBN 978-0-8142-1041-3. [The “interlocutor” in “Ithaca.”]
RUGGIERI, Franca, ed. Joyce’s Victorians. Joyce Studies in Italy, 9. Rome: Bulzoni Editore, 2006. 379 pp. ISBN 88-787-0142-4. [Contents: Franca Ruggieri, Foreword, 7-10; Giorgio Melchiori, “A Lightning before Death: Strauss’s Eine Alpensinfonie and Joyce’s Ulysses,” 17-23; Roberto Baronti Marchiò, “‘All Old Dadgerson’s Dodges’: Language and Meaning in Lewis Carroll and James Joyce,” 25-53; Toni Cerutti, “Mrs Gamp in Dublin: Dickensian Joyce,” 55-76; Raffaella D’Elia, “Polifonia e carnevalizzazione: Dostoevskij e Joyce,” 77-89; Elisabetta D’Erme, “‘The Gentle Art of Advertisement’: Reflection of the Victorian Press in James Joyce’s Writings,” 91-104; Joan FitzGerald, “Drama and Life in ‘Ivy Day in the Committee Room,’” 105-32; Francesco Marroni, “After the Crisis of Victorian Representation: Joyce’s Models and Anti-Models,” 133-48; Timothy Martin, “Matthew Arnold, Ulysses, Seriousness,” 149-58; John McCourt, “Joyce’s Dubliners: Paralysis Revisited,” 159-81; David Pierce, “Joyce, Erudition, and Thomas Arnold’s A Manual of English Literature,” 183-201; Franca Ruggieri, “Portraits: From Pater’s Mona Lisa to Joyce’s Mangan,” 203-22; Laura Santone, “La vocazione dell’anima: Dalla Revue Wagnérienne a Ulysses,” 223-40; Tracy Teets Schwarze, “Troubled Flights of Conscience: Stephen Dedalus, John Henry Newman, and the Ends of Romantic Dissent,” 243-65; Enrico Terrinoni, “James Joyce and Annie Besant: Progressive Tendencies in Professional Obscurantism,” 267-76; Jacques Aubert, “Translating Ulysses into French,” 279-87; Michael Cusin, “Retranslating Ulysses,” 289-92; Carla De Petris, “Dante...Joyce. Heaney...Carson, an Interview,” 293-308; Declan Kiberd, “Ulysses and Us,” 309-30; Carla Marengo Vaglio, “Noisetuning: Joyce and Futurism,” 331-54; Mariacristina Petillo, “Chamber Music ‘tradotto’ da Palmer, Goossens, Berio ed Heller,” 355-78.]
SCHABERT, Ina. “Männliches Bewusstsein und Welthaltigkeit: James Joyce.” Englische Literaturgeschichte des 20. Jahrhunderts: Eine neue Darstellung aus der Sicht der Geschlechterforschung. Kröners Taschenausgabe, 397. Stuttgart: Alfred Kröner Verlag, 2006. 107-15. ISBN 3-520-39701-3.
SENN, Fritz. Joycean Murmoirs: Fritz Senn on James Joyce. Ed. Christine O’Neill. Dublin: Lilliput Press, 2007. [xiii], 330 pp. ISBN 978-1-84351-125-0. [Rev.: Terence Killeen, “Senn’s Sensibilities,” Irish Times (5 January 2008): Weekend, 12.]
SENN, Fritz. Ulyssean Close-ups. Piccola Biblioteca Joyciana, 2. Rome: Bulzoni Editore, 2007. 111 pp. ISBN 978-88-7870-230-1.
SHEA, Daniel M. “From ‘God of the Creation’ to ‘Hangman God’: Joyce’s Reassessment of Aestheticism.” Art and Life in Aestheticism: De-humanizing and Re-humanizing Art, the Artist, and the Artistic Receptor. Ed. Kelly Comfort. Basingstoke: Palgrave Macmillan, 2008. 125-38. ISBN 0-230-55116-5.
SHEA, Daniel M. James Joyce and the Mythology of Modernism. Studies in English Literatures, 3. Stuttgart: Ibidem-Verlag, 2006. 197 pp. ISBN 3-89821-574-1.
STEWART, Bruce. “James Joyce.” The Cambridge Companion to the Irish Novel. Ed. John Wilson Foster. Cambridge Companions to Literature. Cambridge:Cambridge UP, 2006. 133-52. ISBN 0-521-86191-8.
TERRINONI, Enrico. Il chiarore dell’oscurità: Narrazioni parallele e possibili nell’Ulisse di James Joyce. Piccola Biblioteca Joyciana, 3. Rome: BulzoniEditore, 2007. 109 pp. ISBN 978-88-7870-234-9.
TERRINONI, Enrico. “The Maddest of Companies: Joyce and the Occult.” To the Other Shore: Cross-Currents in Irish and Scottish Studies. Ed. Neal Alexander, Shane Murphy, and Anne Oakman. Belfast Studies in Language, Culture and Politics, 12. Belfast: Cló Ollscoil na Banríona, 2004. 159-66. ISBN 0-85389-863-4.
TERRINONI, Enrico. Occult Joyce: The Hidden in Ulysses. Newcastle: Cambridge Scholars Publishing, 2007. [xi], 220 pp. ISBN 1-84718-210-0.
TYSDAHL, Bjørn. “James Joyces Ulysses: Homer som pynt, stillas og tema.” Klassisk Forum no. 1 (2005): 84-90.
ULIN, Julieann. “‘Eveline’ James Joyce (1904).” The Facts on File Companion to the British Short Story. Ed. Andrew Maunder. New York: Facts on File, 2007.143-45. ISBN 0-8160-5990-X.
ULIN, Julieann. “Joyce, James (1882-1941).” The Facts on File Companion to the British Short Story. Ed. Andrew Maunder. New York: Facts on File, 2007.215-17. ISBN 0-8160-5990-X.
VAN HULLE, Dirk. Manuscript Genetics: Joyce’s Know-How, Beckett’s Nohow. Florida James Joyce Series. Gainesville: UP of Florida, 2008. [xvii], 230 pp. ISBN 0-8130-3200-8.
WARD, Graham. “Narrative and Ethics: The Structures of Believing and the Practices of Hope.” Literature & Theology 20, iv (December 2006): 438-61. [“An Encounter” and “Grace.”]
WELCH, Robert. “Walking from the Dark: Giordano Bruno and James Joyce.” Studies in Literature and Culture in Honour of Professor Irena Janicka-Œwiderska. Ed. Maria Edelson. £ódæ: Wydawnictwo Uniwersytetu £ódzkiego, 2002. 267-74. ISBN 83-7171-532-3.
ZANOTTI, Serenella. Joyce in Italy, l’italiano in Joyce. A10, 98. Rome: Aracne, 2004. 194 pp. ISBN 88-7999-829-3.
James Joyce’s Dublin: The Ulysses Tour. n.p.: Artsmagic, Ltd., 2007. AWA 124. 1 4 3/4 in. videodisc, 115 min. [Dir. Kevin Phillips; presented by Robert Nicholson; narrated by Terence Killeen.]
“Spielräume.” Talk-Back-Radio. ö1 Radio ORF. 15 June 2008. 26 min. <http:// oe1.orf.at/programm/200806152201.html>. [Program of popular songs inspired by Ulysses.]
“Von Tag zu Tag: Ein Dubliner in Feldkirch.” Talk-Back-Radio. ö1 Radio ORF. 12 June 2008. 40 min. <http://oe1.orf.at/programm/200806123301.html>. [Johann Kneihs interviews Andreas Weigel.]
BURNS, John. “Euro 1.17m ‘was fair price for Joyce papers.’” Sunday Times (London) (2 December 2007): Home News, 5. [Re the purported involvementof Laura Barnes with the sale of a FW ms to the National Library ofIreland.]
DöRING, Tobias. “Bar übersetzen: E-Mail an Joyce: Fritz Senn zum Achtzigsten.” Frankfurter Allgemeine Zeitung (31 December 2007): Feuilleton, 34. [Senn’s birthday.]
KOENDERS, Leo J. M. A Collection in Progress Relating to James Joyce, 2006. <http://jamesjoyce-snotgreen.com/index.php>. [“A collection of books and objects, relating to James Joyce, which, broadly speaking, ranges from books whose text and illustrations are in dialogue, to objets d’art which take the book as an object as a starting point.”]
MACONE, Steve. “A Slow Devouring: Banter, Beer, and Bar Food Smooth a Disciplined but Difficult Passage through Finnegans Wake.” American Scholar 77, ii (Spring 2008): 83-90. [Reading group.]
MCKINTY, Adrian. The Bloomsday Dead. New York: Scribner, 2007. 289 pp. ISBN 0-7432-6644-7. [Crime novel with numerous references to U.]
NONO, Viktor. James Joyce: Ulysses, 2008. <http://james-joyce.viktor-nono.de>. [Artist’s project consisting of pages from the German trans. of Ulysses with paints and drawings superimposed.]
USHER, Robin. “Molly Bloom Silenced in Dublin.” The Age (Melbourne) (15 April 2008): Metro, 13. [Actor Maggie Millar prevented by the JJ Estate from performing “Penelope.”]