CURRENT JJ CHECKLIST (97) The following abbreviations apply throughout: JJ WORKS
A Portrait of the Artist as a Young Man: Complete, Authoritative Text with Biographical, Historical, and Cultural Contexts, Critical History, and Essays from Contemporary Critical Perspectives. Ed. R. Brandon Kershner. Case Studies in Contemporary Criticism. 2nd ed. Boston and New York: Bedford/St. Martin’s, 2006. xv, 454 pp. ISBN 0-312-40811-0. [1964 Viking text with revisions and note on the text by Chester Anderson. Includes period maps, photographs, illustrations, and the like, and introductions to psychoanalytic criticism, feminist criticism, cultural criticism, and postcolonial criticism by Ross C. Murfin. Essays include: Sheldon Brivic, “The Disjunctive Structure of Joyce’s Portrait,” 279-98; Suzette Henke, “Stephen Dedalus and Women: A Feminist Reading of Portrait,” 317-36; R. Brandon Kershner, “The Culture of Dedalus: Urban Circulation, Degeneration, and the Panopticon,” 357-77; Vincent J. Cheng, “Nationalism, Celticism, and Cosmopolitanism in A Portrait,” 389-412; Cheryl Herr, “Walking in Dublin,” 415-29.] Ulisses. Trans. Bernardina da Silveira Pinheiro. Clássicos Modernos. Rio de Janeiro: Objetiva, 2005. 888 pp. ISBN 8-57302-673-1. [Portuguese trans.] Ulysses. Tokyo: Yushodo/Inkpen Press, 2004. 732 pp. [Facsimile of the 1922 Shakespeare and Company first ed. “Bound in full blue morocco leather with cloth slip case in a limited edition of 120 copies” (publisher).] Ulysses. London: The Folio Society, 2004. xix, [3], 735, [3] pp. [Pref., Stephen James Joyce. Intro, Jacques Aubert. Eighteen Etchings, Mimmo Paladino. Limited (1760 copies) reissue of the Folio Society’s 1998 ed. with rev. pref. by Stephen James Joyce, bound in blue goatskin leather with design by Jeff Clements, boxed.] SECONDARY SOURCES
ALLEN, Walter. “1914 and After.” Modernism: Critical Concepts in Literary and Cultural Studies. Ed. Tim Middleton. London and New York: Routledge, 2003. Vol. II. 104-23. ISBN 0-415-24237-1. [In part, on U. D2 169.] ALLEN GLEED, Kim M. Joyce in France, Joyce in French: Translation, Culture, Literary Fame. Ph.D. diss. SUNY at Binghamton, 2005. 258 pp. [DAI-A 66, xii (June 2006): 4378.] ALTER, Robert. “The Modernist Revival of Self-Conscious Fiction.” Modernism: Critical Concepts in Literary and Cultural Studies. Ed. Tim Middleton. London and New York: Routledge, 2003. Vol. III. 145-71. ISBN 0-415-24237-1. [In part, on U. Supplementary Checklist 75.] ATTRIDGE, Derek, ed. The Cambridge Companion to James Joyce. 2nd ed. Cambridge: Cambridge UP, 2004. xviii, 290 pp. ISBN 0-521-83710-3. [Contents: Derek Attridge, “Reading Joyce,” 1-27; Seamus Deane, “Joyce the Irishman,” 28-48; Jean-Michel Rabaté, “Joyce the Parisian,” 49-66; Christopher Butler, “Joyce the Modernist,” 67-86; Garry Leonard, “Dubliners,” 87-102; John Paul Riquelme, “Stephen Hero and A Portrait of the Artist as a Young Man: Transforming the Nightmare of History,” 103-21; Jennifer Levine, “Ulysses,” 122-48; Margot Norris, “Finnegans Wake,” 149-71; Vicki Mahaffey, “Joyce’s Shorter Works,” 172-95; Jeri Johnson, “Joyce and Feminism,” 196-212; Joseph Valente, “Joyce and Sexuality,” 213-33; Jennifer Wicke, “Joyce and Consumer Culture,” 234-53; Marjorie Howes, “Joyce, Colonialism, and Nationalism,” 254-71.] (ATTRIDGE. James Joyce’s Ulysses. 2004.) [Rev.: Finn Fordham, “Spooky Joyce,” Modernism/Modernity 13, ii (April 2006): 367-73.] AYERS, David. “James Joyce: Ulysses and Love.” Modernism: A Short Introduction. Blackwell Introductions to Literature. Malden, MA: Blackwell, 2004. 65-79. ISBN 1-4051-0854-1. BARBEITO VARELA, Manuel. “John Huston’s vs. James Joyces’s ‘The Dead.’” Books in Motion: Adaptation, Intertextuality, Authorship. Ed. Mireia Aragay. Contemporary Cinema, 2. Amsterdam and New York: Rodopi, 2005. 145-61. ISBN 90-420-1957-3. BEARD, Rebecca. “Speaking the Language of Culture: Elfriede Jelinek and James Joyce Writing the Homeland.” Beziehungen und Identitäten: Österreich, Irland und die Schweiz = Connections and Identities: Austria, Ireland and BÓKAY, Antal. “Joyce, Freud, Finnegan.” Az irlandisztika nemzetközisége: Az ír kultúra, történelem, politikai és gazdasági élet kérdései összehasonlító megközelítésben. Ed. Gabriella Hartvig, Mária Kurdi, and Gabriella Vö. Pecs: Pécsi Tudományegyetem, 2002. 32-38. ISBN 963-641-955-8. BOYLE, Robert H. “‘You Spigotty Anglease?’ James Joyce’s Finnegans Wake.” Fishing Giants and Other Men of Derring-Do. Guilford, CT: Lyons Press, 2001. 195-205. ISBN 1-58574-423-9. [Fishing in FW. CC 84.] BURNS, John. “Joyce Expert Turns Profit on Rare Deal.” Sunday Times (London) (7 May 2006): Home News, 4. [Laura Barnes’s sale of FW ms. sheets to NLI.] CARAHER, Brian. “Edgeworth, Wilde and Joyce: Reading Irish Regionalism through “the cracked lookingglass” of a Servant’s Art.” Ireland in the Nineteenth Century: Regional Identity. Ed. Leon Litvack and Glenn Hooper. Dublin: Four Courts, 2000. 123-39. ISBN 1-85182-478-2. CARTY, Peter. “Rare Joyce Papers Delay Cost 800K.” Sunday Independent (Dublin) (21 May 2006). [Laura Barnes’s sale of FW ms. sheets to NLI.] CASELLI, Daniela. “Detecting Dante in Joyce.” Beckett’s Dantes: Intertextuality in the Fiction and Criticism. Manchester, UK, and New York: Manchester UP, 2005. 10-22. ISBN 0-7190-7156-9. CASTLE, Gregory. Reading the Modernist Bildungsroman. Gainesville: UP of Florida, 2006. x, 328 pp. ISBN 0-8130-2983-X. [Passim.] CEIA, Carlos. “Modernism, Joyce, and Portuguese Literature.” CLCWeb: Comparative Literature and Culture 8, i (2006). [<http://clcwebjournal.lib.purdue.edu/clcweb06-1/ceia06.html>. Accessed October 2006.] CHERTOFF, Daniel S. “Joyce’s Ulysses and The Book of Esther.” Explicator 64, iii (Spring 2006): 151-53. CLOUD, Gerald W. John Rodker, Printer and Publisher: A Bibliographical Study. Ph.D. diss. Univ. of Delaware, 2006. 393 pp. [DAI-A 66, xii (June 2006): 4393.] CONLEY, Tim. “Samizdat Odyssey: Ulysses Above the 42nd Parallel.”The Canadian Modernists Meet. Ed. Dean Irvine. Reappraisals: Canadian Writers, 29. Ottawa: U of Ottawa P, 2005. 139-51. ISBN 0-7766-0599-2. CONNOR, Kynan D. Allusive Mechanics in Modern and Postmodern Fiction as Suggested by James Joyce in His Novel “Dubliners.” Ph.D. diss. Univ. of Nebraska, Lincoln, 2006. 183 pp. [DAI-A 67, ii (August 2006): 555.] CORMACK, A. Yeats and Joyce: Cyclical Theories of History and the Reprobate Tradition of Irish Idealism in Ulysses, A Vision and Finnegans Wake. Ph.D. diss. East Anglia, 2004. [Index to Theses 54 (2005): 54-2499.] CRAVEN, Peter. “His Literary Legacy Justifies Ode to Joyce.” Australian (14 June 2006): 34. DAVENPORT-HINES, Richard. A Night at the Majestic: Proust and the Great Modernist Dinner Party of 1922. London: Faber and Faber, 2006. 358 pp. ISBN 0-571-22008-8. [JJ, passim, especially the meeting between JJ and Proust, 38-49.] DIBATTISTA, Maria. “This Is Not a Movie: Ulysses and Cinema.” Modernism/Modernity 13, ii (April 2006): 219-35. DIPIETRO, Cary. “Hamlet, Shakespeare and Stephen Joyce.” Shakespeare and Modernism. Cambridge: Cambridge UP, 2006. 67-82. ISBN 0-521-84539-4. EDLING, Lars. “Summer of Love 1904.” Ikoner 5, v (2002): 19-22. EGGERS, Michael. “‘Sprachen, die sich nie ganz begegnen...’ Ingeborg Bachmanns Simultan und James Joyces Dubliners.” Beziehungen und Identitäten: Österreich, Irland und die Schweiz = Connections and Identities: Austria, Ireland and Switzerland. Ed. Gisela Holfter, Marieke Krajenbrink, and Edward Moxon-Browne. Wechselwirkungen: Österreichische Literatur im internationalen Kontext, 6. Bern: Peter Lang, 2004. 173-90. ISBN 3-03910-430-6. EL-SHAZLI, Salwa A. Female Agency and the Breaking of Essentialist Paradigms in Selected Works by James Joyce, Brian Friel, Toni Cade Bambara, and Alice Walker. Ph.D. diss. Indiana Univ. of Pennsylvania, 2005. 205 pp. [DAI-A 66, x (April 2006): 3640. “A Mother.”] (EMIG. Ulysses. 2004.) [Rev.: Finn Fordham, “Spooky Joyce,” Modernism/Modernity 13, ii (April 2006): 367-73.] EMPSON, William. Selected Letters of William Empson. Ed. John Haffenden. Oxford: Oxford UP, 2006. lxi, 729 pp. ISBN 0-19-928684-1. [Includes lets. re JJ to Hetta Empson, Darcy O’Brien, Richard Ellmann, and William Vesterman.] FELDMAN, Matthew. Beckett’s Books: A Cultural History of Samuel Beckett’s “Interwar Notes.” New York and London: Continuum, 2006. xii, 179 pp. ISBN 0-8264-9059-X. [SB and JJ’s notes on Mauthner, 125-31.] FEREE, S. A. Samuel Beckett and the Influence of James Joyce: A Study in Voice. M.Phil. thesis. London, Goldsmiths College, 2004. [Index to Theses 54 (2005): 54-5136.] FISCHER-SEIDEL, Therese. “Archetypal Structures and Literature in Joyce’s Ulysses: Aristotle, Frye, and the Plot of Ulysses.” Self-Reflexivity in Literature. Ed. Werner Huber, Martin Middeke, and Hubert Zapf. Text & Theorie 6. Würzburg: Königshausen & Neumann, 2005. 87-98. ISBN 3-8260-3249-7. (FOGARTY and Martin. Joyce on the Threshold. 2005.) [Rev.: Patrick Parrinder, Irish Studies Review 14, iii (August 2006): 398-400.] FORBES, Shannon. “Joyce’s ‘Saucebox’: Milly Bloom’s Portrait in Ulysses.” Irish Studies Review 14, i (February 2006): 39-55. FRANKE, William. “Linguistic Repetition as Theological Revelation in Christian Epic Tradition: The Case of James Joyce’s Finnegans Wake.” Neophilologus 90, i (January 2006): 155-72. FRIERSON, William C. “The Postwar Novel 1919-1929: Impressionists and Freudians.” Modernism: Critical Concepts in Literary and Cultural Studies. Ed. Tim Middleton. London and New York: Routledge, 2003. Vol. II. 45-65. ISBN 0-415-24237-1. [In part, on U. From D2 1371.] FUERST, J. T. A Critical Re-assessment of James Joyce’s Dubliners. M.Phil. thesis. Coventry, 2004. [Index to Theses 54 (2005): 54-7579.] FUKS, Julián. “Leopold Bloom dá novos passos em português.” Folha de San Paulo (11 June 2005). [Interview with Bernardina da Silveira Pinheiro, Brazilian translator of U.] GARSCHAGEN, Bruno. “Romance Monumental.” Gazeta Mercantil (San Paulo) (24 June 2005). [Interview with Bernardina da Silveira Pinheiro, Brazilian translator of U.] GIBBONS, Luke. “Spaces of Time through Times of Space: Joyce, Ireland and Colonial Modernity.” Field Day Review 1 (2005): 71-85. GIBBONS, Luke. “‘Where Wolfe Tone’s statue was not’: Joyce, Monuments and Memory.” History and Memory in Modern Ireland. Ed. Ian McBride. Cambridge: Cambridge UP, 2001. 139-59. ISBN 0-521-79017-4. (GIBSON. Joyce’s Revenge. 2002.) [Rev.: Marian Eide, South Cental Review 23, i (Spring 2006): 117-19.] GIBSON, George Cinclair. Wake Rites: The Ancient Irish Rituals of Finnegans Wake. Florida James Joyce Series. Gainesville and Tallahassee: UP of Florida, 2005. [xv], 277 pp. ISBN 0-8130-2870-1. GILLESPIE, Michael Patrick. “Edna O’Brien and the Lives of James Joyce.” Wild Colonial Girl: Essays on Edna O’Brien. Ed. Lisa Colletta and Maureen O’Connor. Irish Studies in Literature and Culture. Madison: U of Wisconsin P, 2006. 78-91. ISBN 0-299-21630-6. GILLESPIE, Michael Patrick. “James Joyce: Ulysses.” A Companion to Modernist Literature and Culture. Ed. David Bradshaw and Kevin J. H. Dettmar. Blackwell Companions to Literature and Culture, 39. Oxford: Blackwell, 2006. 384-92. ISBN 0-631-20435-0. GILLESPIE, Michael Patrick, and A. Nicholas Fargnoli, eds. Ulysses in Critical Perspective. Florida James Joyce Series. Gainesville: UP of Florida, 2006. x, 225 pp. ISBN 0-8130-2932-5. [Contents: “Introduction: The Mime of Mick, Nick, and the Maggies,” 1-6; John Paul Riquelme, “‘Preparatory to anything else’: Joyce’s Styles as Forms of Memory—the Case of ‘Eumaeus,’” 9-34; Margot Norris, “Narratology and Ulysses,” 35-50; Sheldon Brivic, “Joyce and the Invention of Language,” 53-69; Kimberly J. Devlin, “En-Gendered Choice and Agency in Ulysses,” 70-87; Joseph Valente, “Ulysses and Queer Theory: A Continuing History,” 88-113; Gregory M. Downing, “Joycean Pop Culture: Fragments toward an Institutional History and Futurology,” 117-34; Ira B. Nadel, “Historicizing Ulysses,” 135-51; Michael Groden, “Before and After: The Manuscripts in Textual and Genetic Criticism of Ulysses,” 152-70; William S. Brockman, “Ulysses: Bibliography Revisited,” 171-91.] GRODEN, Michael. “Joyce, James (1882-1941).” The Ezra Pound Encyclopedia. Ed. Demetres P. Tryphonopoulos and Stephen J. Adams. Westport, CT and London: Greenwood Press, 2005. 167-70. ISBN 0-313-30448-3. GRODEN, Michael. “‘Proceeding Energetically from the Unknown to the Known’: Looking Again at the Genetic Texts and Documents for Joyce’s Ulysses.” The Book as Artefact, Text and Border. Ed. Anne Mette Hansen and others. Variants, 4. Amsterdam and New York: Rodopi, 2005. 183-95. ISBN 90-420-1888-7. HALL, J. Music and the Word in the Works of T.S. Eliot and James Joyce. Ph.D. diss. Durham, 2004. [Index to Theses 54 (2005): 54-7580.] HOROWITZ, Evan Cory. The Writing of Modern Life. Ph.D. diss. Princeton Univ., 2006. 195 pp. [DAI-A 66, viii (February 2006): 2939. Eliot, Middlemarch; Morris, News from Nowhere; JJ; U.] HORVATH, Krisztian. An Analysis of the Holdings of James Joyce’s Ulysses in the University of North Carolina at Chapel Hill Rare Book Collection. M.S. in L.S. diss. Univ. of North Carolina, Chapel Hill, 2005. 46 pp. [<http://etd.ils.unc.edu/dspace/bitstream/1901/168/1/krisztianhorvath.pdf>. Accessed October 2006.] JACKSON, Ellen-Raïssa, and Willy Maley. “Celtic Connections: Colonialism and Culture in Irish-Scottish Modernism.” Interventions: International Journal of Postcolonial Studies 4, i (2002): 68-78. [Muir, Yeats, MacDiarmid, JJ, Grassic Gibbon.] James Joyce Broadsheet no. 73 (February 2006). [Contents: Kasia Boddy, “‘Give Him (Metaphorically) One in the Gizzard’: Boxing in Ulysses,” 1; Jim Davies, (rev. of Murphy, James Joyce and Victims, 2003), 2; Mark Sutton, (rev. of Thwaites, Joycean Temporalities, 2001), 2; Katy Mullin, (rev. of Kershner, Joyce and Popular Culture, 1996), 2; Katy Mullin, (rev. of Kershner, Cultural Studies of James Joyce, 2003), 2; Sara Sullivan, (rev. of Jones and Beja, Twenty-First Joyce, 2004), 3; Irina Rasmussen Goloubeva, (rev. of Laman, James Joyce and German Theory, 2004), 3. Includes letters from James Hurt and Wolfgang Wicht, and Joycean news from Dublin and the rest of the world.] James Joyce Broadsheet no. 74 (June 2006). [Contents: Margot Norris, “‘Not a Bit Like Molly Bloom,’” (rev. of Coetzee, Elizabeth Costello, 2003), 1; Marian Eide, (rev. of Balsamo, Joyce’s Messianism, 2004), 2; Mark Wollaeger, (rev. of Brooker, Joyce’s Critics, 2004), 2; Harald Beck and Clive Hart, “Stephen’s Budget,” 3; Harald Beck and Clive Hart, “British Currency in 1904,” 3; Len Platt, (rev. of Lin, Justice, History and Language in James Joyce’s Finnegans Wake, 2002), 3. Includes obituary for Kalina Filipova, Dublin news, information regarding the Hans E. Jahnke bequest to the Zurich JJ Foundation and other events.] James Joyce Literary Supplement 20, i (Spring 2006). [Contents: Zack Bowen and Patrick A. McCarthy, “JJLS Twenty Years Old,” 1; Robert Spoo, “Why Public Performances of James Joyce’s Works Are Not a Thing of the Past,” 2-3; Finn Fordham, “A Poetic of Process,” (rev. of Van Hulle, Textual Awareness, 2004), 4-5; Mary Power, “Dedalus Flies Again,” (rev. of Damian McNicholl, A Son Called Gabriel [2004]), 5; Sean Latham, “Speculative Modernism,” (rev. of Jaffe, Modernism and the Culture of Celebrity, 2005), 6-7; Richard Fantina, “Judging Joyce’s Masochism,” (rev. of Cotter, James Joyce & the Perverse Ideal, 2003), 7; Timothy J. Sutton, “Seven More from the National Library,” (revs. of Norris, Ulysses for Beginners, 2004; Lernout, James Joyce Reader, 2004; Knowles, Humor Detection in Ulysses, 2004; Herr, Joyce and the Art of Shaving, 2004; Fargnoli, James Joyce’s Catholic Moments, 2004; Devlin, Taste and Consumption in Ulysses, 2004; Cheng, Joyce, Race, and Colonialism, 2004), 8-9; Judy Young, Stephen Willoughby, Greg Hayes, Robert Scherling, and Mary Lowe-Evans, “The 17th Irregular Miami J’yce Conference: A Wonder-Full World,” 9; Edmund L. Epstein, “The Final Seven from the National Library,” (revs. of O’Rourke, Alwisest Stagyrite, 2004; Nadel, Joyce & His Publishers, 2004; McCarthy, Joyce, Family, Finnegans Wake, 2004; Long, Twinge of Recollection, 2004; Latham, Joyce’s Modernism, 2004; Harrington, James Joyce: Suburban Tenor, 2004; Gabler, Rocky Road to Ulysses, 2004), 10-11; Gerald Gillespie, “Amor Matris: Subjective and Objective Genitive,” (rev. of Balsamo, Joyce’s Messianism, 2004), 12-13; “A Birthday Showcase: 20 Years Zurich James Joyce Foundation,” 13-14; Katharina Hagena, “Reading with Discipline: A German Biography on Joyce,” (rev. of Rademacher, James Joyce, 2004), 14; Michael J. O’Shea, “The Joyce Cult,” (rev. of Tully, Yes I said yes I will Yes, 2004), 15; Kerstin Stranz, “Recruiting New Joyceans,” (rev. of Rathjen, James Joyce, 2004), 16; Judith Harrington, “The Gold Standard in Calypso cats—and More!,” (rev. of Bloomsday on Broadway XXIV), 16; Zack Bowen, “J. Edgar Hoover, Cultural Arbiter,” (rev. of Culleton, Joyce and the G-Men, 2004), 17; David Pierce, “The Undivided Truth,” (rev. of Kiberd, Irish Writer and the Modern World, 2005), 18-19; Chris Ackerley, “Useful, to Be Sure,” (rev. of Lois Oppenheim, Palgrave Advances in Samuel Beckett StudiesI [2004]), 19-20; and Wim Van Mierlo, “The Iconic Iconoclaust,” (rev. of John Haynes, Images of Beckett [2003]), 20.] James Joyce Newestlatter no. 100 (April 2006). [Robert Spoo, “Why Public Performances of James Joyce’s Works Are Not a Thing of the Past,” 4-6; news of publications, upcoming events, and the like, and a letter from Margot Norris to Secretary of State Condoleezza Rice regarding John McCourt’s tangle with United States immigration authorities.] (James Joyce Quarterly. Fall 2003/Winter 2004.) [Rev.: Brenda Maddox, TLS no. 5371 (10 March 2006): 24-25.] JOHNS-PUTRA, Adeline. “Joyce’s Ulysses.” The History of the Epic. Houndmills, Basingstoke, and New York: Palgrave Macmillan, 2006. 159-66. ISBN 1-4039-1212-2. (JONES and Beja. Twenty-First Joyce. 2004.) [Rev.: Patrick Parrinder, Irish Studies Review 14, i (February 2006): 145-47.] JOSEPH, S. Proust and Joyce in Dialogue. Ph.D. diss. Cambridge, 2005. [Index to Theses 54 (2005): 54-9938.] KALISH, Catherine Simpson. “Amsolookly kersse”: Clothing in “Finnegans Wake.” Ph.D. diss. Marquette Univ., 2006. [DAI-A 67, iii (September 2006): 183.] KENNER, Hugh. “Modernism and What Happened to It: F. W. Bateson Memorial Lecture.” Modernism: Critical Concepts in Literary and Cultural Studies. Ed. Tim Middleton. London and New York: Routledge, 2003. Vol. IV. 44-53. ISBN 0-415-24237-1. [In part, on U. CC 43.] KILLEEN, Terence. “Joyce Collection Among the Most Personal Yet Found.”Irish Times (16 May 2006): 7. [Hans Jahnke bequest to the Zurich JJ Foundation.] KILLEEN, Terence. “National Library Gets Important Collection of Joyce Manuscripts.” Irish Times (2 March 2006): 3. [FW ms. sheets.] KILLEEN, Terence. “A Tangled Web of Joyceans.” Irish Times (3 July 2006): 12. [Budapest JJ symposium.] KLITGÅRD, Ida. “Taking the Pun by the Horns: The Translation of Wordplay in James Joyce’s Ulysses.” Target: International Journal on Translation Studies 17, i (2005): 71-92. LAU, Josephine Hiu Yen. The Faith of Nonsense: The Analogy of God and the Faith of James Joyce’s Finnegans Wake. Stanford Honors Essay in Humanities, 49. Stanford: Humanities Honors Program, Stanford University, 2005. v, 83 pp. (LERM HAYES. Joyce in Art. 2004.) [Rev.: Ruben Borg, “Entwining Our Arts,” Journal of Modern Literature 29, iv (Summer 2006): 189-93.] LERM HAYES, Christa-Maria, and Alison Armstrong. “Joyce in Art, a Dispute.” Irish Literary Supplement 25, ii (Spring 2006): 2-3. [Lerm Hayes on Armstrong’s rev. in Spring 2005 ILS, with Armstrong’s reponse.] LERNOUT, Geert. James Joyce: Een introductie. 2nd ed. Amsterdam: Athenaeum-Polak & Van Gennep, 2002. 238 pp. ISBN 90-253-3152-1. [1st ed. 1994.] (LERNOUT and Van Mierlo. Reception of James Joyce in Europe. 2004.) [Rev.: Robert Brazeau, Irish Studies Review 14, i (February 2006): 142-45.] LEVIN, Harry. “What Was Modernism?” Modernism: Critical Concepts in Literary and Cultural Studies. Ed. Tim Middleton. London and New York: Routledge, 2003. Vol. II. 140-57. ISBN 0-415-24237-1. [In part, on U. D2 3910.] LIU, Lydia H. “iSpace: Printed English after Joyce, Shannon, and Derrida.”Critical Inquiry 32, iii (Spring 2006): 516-50. LOBSIEN, Eckhard. “Mimesis und Referenz: Paradigma Ulysses.” Zeitschrift für Ästhetik und Allgemeine Kunstwissenschaft 50, ii (2005): 227-43. LONG, Michael. “The Politics of English Modernism: Eliot, Pound, Joyce.” Modernism: Critical Concepts in Literary and Cultural Studies. Ed. Tim Middleton. London and New York: Routledge, 2003. Vol. IV. 136-49. ISBN 0-415-24237-1. MADDOX, Brenda. “Roots of Bloom: James Joyce in ‘Judapest.’” TLS no. 5387 (28 June 2006): 14. [Budapest JJ symposium.] MANGANIELLO, Dominic. “The Beauty that Saves: Brideshead Revisited as a Counter-Portrait of the Artist.” Logos 9, ii (Spring 2006): 154-70. MAREK, Jayne E. “Reader Critics: Margaret Anderson, Jane Heap, and the Little Review.” Modernism: Critical Concepts in Literary and Cultural Studies. Ed. Tim Middleton. London and New York: Routledge, 2003. Vol. V. 131-67. ISBN 0-415-24237-1. [In part, on the publication of U. CC 75.] MARSHIK, Celia. “James Joyce and the Necessary Scandal of Art.” British Modernism and Censorship. Cambridge: Cambridge UP, 2006. 126-66. ISBN 0-521-85966-2. MAX, D. T. “The Injustice Collector: Is James Joyce’s Grandson Suppressing Scholarship?” New Yorker 82, xviii (19 June 2006): 34-43. MCCLEERY, Alistair. “The Reputation of the 1932 Odyssey Press Edition of Ulysses.” Papers of the Bibliographical Society of America 100, i (March 2006): 89-103. MCDONALD, Russell. “Who Speaks for Fergus? Silence, Homophobia, and the Anxiety of Yeatsian Influence in Joyce.” Twentieth-Century Literature 51, iv (Winter 2005): 391-413. MCGARRITY, Maria. “The Gulf Stream and the Epic Drives of Joyce and Walcott.” Ariel 34, iv (October 2003): 1-22. MCHUGH, Roland. Annotations to Finnegans Wake. 3rd ed. Baltimore: Johns Hopkins UP, 2006. xx, 628 pp. ISBN 0-8018-8381-4. MCKEVITT, K. Leabhar Gabhála, Yeats and Joyce: The Reception and Translation of Irish Literature in Nós and A Nosa Terra in Galicia (1918-1936). D.Phil diss. Oxford, 2004. [Index to Theses 53 (2004): 53-12273.] (MEANEY. Nora. 2004.) [Revs.: Eamonn Kelly, “Filthy Enough,” Books Ireland no. 283 (March 2006): 57-58; Paula Quigley, Irish Studies Review 14, i (February 2006): 156-58.] MIKOWSKI, Sylvie. Le roman irlandais contemporain. Caen: Groupe de recherché en études irlandaises, Université de Caen Basse-Normandie, 2004. [293] pp. ISBN 2-84133-229-2. [Passim.] MORALES LADRÓN, Marisol. “La temporalidad bergsoniana en las estéticas de Antonio Machado y James Joyce.” BELLS: Barcelona English Language and Literature Studies no. 13 (2004). [<http://www.publicacions.ub.es/revistes/bells13/PDF/articles_08.pdf>. Accessed October 2006.] (MULLIN. James Joyce, Sexuality and Social Purity. 2003.) [Rev.: Ingrid von Rosenberg, Anglia123, v (2005): 539-42.] MURPHY, Terence Patrick. “Interpreting Marked Order Narration: The Case of James Joyce’s ‘Eveline.’” Journal of Literary Semantics 34, ii (2005): 107-24. National Archives of Ireland. James Joyce and Ulysses, 2004. <http://www.nationalarchives.ie/topics/JJoyce/intro.htm>. Accessed October 2006. [Images of and commentary on thirteen documents, including the Joyce family’s census return for 1901 and the will of John Joyce.] (NORRIS. Ulysses. 2004.) [Rev.: Eamonn Kelly, “Filthy Enough,” Books Ireland no. 283 (March 2006): 57-58.] O’DWYER, Riana. “‘There was a kind lady called Gregory’: James Joyce, Augusta Gregory and the Irish Literary Revival.” Lady Gregory Autumn Gatherings: Reflections at Coole. Ed. Seán Tobin and Lois Tobin. Galway: Lady Gregory Autumn Gathering, 2000. 30-50. ISBN 0-9539835-0-1. ORBÁN, Róbert, ed. Szombathelyi Joyce = The Joyce of Szombathely. Szombathely: Szombathely Megyei Jogú Város Kiadványa, 2005. 34, 28 pp. ISBN 963-218-558-7. [Contents: Ferenc Takács, “Joyce and Hungary,” 1-9; Takács Ferenc, “Joyce és a magyarok,” 2-13; Róbert Orbán, “To Appear to Be Bloom: The ‘Relations’ of the Hero of Ulysses in Szombathely,” 10-16; Orbán Róbert, “Bloom-nak tünni: Az Ulysses hősének szombathelyi ‘rokonsága,’” 14-21; Endre Tóth, “The Origins of Leopold Bloom: An Imaginary Family Tree,” 18-25; Tóth Endre, “Leopold Bloom származása: egy fiktív családfa,” 22-31; Róbert Orbán, “The Ulysses of Szombathely,” 26-28; Orbán Róbert, “A szombathelyi Ulysses: James Joyce és Marino de Szombathely útjai,” 32-34.] ORPHAN, Stephanie. “UW-Milwaukee Identifies Joyce Galley.” College and Research Libraries News 67, iii (March 2006): 142. [Eight-page proof for transition annotated by JJ.] O’SHEA, C. Joyce’s Mandala. Ph.D. diss. Trinity College Dublin, 2005. [Index to Theses 55 (2006): 55-2951. FW as “mandalic construct.”] O’SULLIVAN, Carol. “Joycean Translations of Anna Livia Plurabelle: ‘It’s translation, Jim, but not as we know it.’” Italian Culture: Interactions, Transpositions, Translations. Ed. Cormac Ó Cuilleanáin, Corinna Salvadori and John Scattergood. Dublin: Four Courts Press, 2006. 175-82. ISBN 1-84682-025-1. PEDOT, Richard. “Reading Events in James Joyce’s ‘An Encounter.’” Forum for Modern Language Studies 42, i (January 2006): 1-12. PETERS, Günter. “Epiphanien des alltäglichen: Methoden literarischer Realisation bei Joyce, Ponge und Handke.” Poetica 30, iii-iv (1998): 469-96. PIERCE, David. “Beyond a Boundary: James Joyce and Cricket.” Light, Freedom and Song: A Cultural History of Modern Irish Writing. New Haven and London: Yale UP, 2005. 155-74. ISBN 0-300-10994-6. PIERCE, David. Joyce and Company. Continuum Literary Studies Series. London: Continuum, 2006. vii, 180 pp. ISBN 0-8264-9089-1. PILLING, John. “Beckett and Mauthner Revisited.” Beckett after Beckett. Ed. S. E. Gontarski and Anthony Uhlmann. Crosscurrents. Gainesville: University Press of Florida, 2006. 158-66. ISBN 0-8130-2909-0. [Mauthner and FW.] PLOCK, V. M. James Joyce and Modern Medical Culture. Ph.D. diss. York, 2005. [Index to Theses 55 (2006): 55-208.] POVLSEN, Steen Klitgård. “En fremmed går i land: En anmeldelse af Ulysses siger meget om anmelderne, og meget lidt om Ulysses.” Litteraturmagasinet Standart 12, iv (October 1998): 21. PRIBECK, J. M. “Prelatic beauty”: A Study of the Influence of John Henry Newman on James Joyce. Ph.D. diss. University College, Dublin, 2005. [Index to Theses 55 (2006): 55-2952.] QUINT, Hariet. “Rasgos modernos en el Retrato del artista adolescente de James Joyce.” Sincronía, iv (Winter 2002). [<http://dialnet.unirioja.es/servlet/oaiart?codigo=1307364>. Accessed October 2006.] RABATÉ, Jean-Michel. “Aspace of Dumbillsilly: When Joyce Translates Lacan.” Critical Quarterly 48, i (Spring 2006): 26-42. RABATÉ, Jean-Michel. “Des lectures de Joyce, oui.” Études françaises 38, i-ii (2002): 179-88. RASCHE, Hermann. “Joyce unterwegs: Austria und Helvetia.” Beziehungen und Identitäten: Österreich, Irland und die Schweiz = Connections and Identities: Austria, Ireland and Switzerland. Ed. Gisela Holfter, Marieke Krajenbrink, and Edward Moxon-Browne. Wechselwirkungen: Österreichische Literatur im internationalen Kontext, 6. Bern: Peter Lang, 2004. 91-104. ISBN 3-03910-430-6. REYES RODRIGUEZ, Jaime. “El mito de James Joyce.” Mural (Guadalajara) (13 June 2004): 11. ROOS, Bonnie. “The Joyce of Eating: Feast, Famine and the Humble Potato in Ulysses.” Hungry Words: Images of Famine in the Irish Canon. Ed. George Cusack and Sarah Goss. Dublin and Portland, OR: Irish Academic, 2006. 159-96. ISBN 0-7165-3386-3. RUBIN, Louis D., Jr. “Bloom’s Leap: Or, How Firm a Foundation.” Where the Southern Cross the Yellow Dog: On Writers and Writing. Columbia and London: University of Missouri Press, 2005. 61-71. ISBN 0-8262-1608-0. SCHAD, John. “Joycing Derrida, Churching Derrida: Glas, Église and Ulysses.” Writing the Bodies of Christ: The Church from Carlyle to Derrida. Ed. John Schad. Aldershot: Ashgate, 2001. 41-56. ISBN 0-7546-0538-8. SCHNEIDER, Jürgen. James Joyce in Wiesbaden. Wiesbaden: Thorsten Reiß Verlag, 2005. 52 pp. ISBN 3-928085-36-0. [Enlarged from CC 83.] SCHOENBERG, C. High Modernist Difficulty as Commodity: Ezra Pound and James Joyce in the Literary Marketplace. D.Phil. diss. Oxford, 2005. [Index to Theses 55 (2006): 55-172.] SCHOLES, Robert. “Hard and Soft: Joyce and Others.” Paradoxy of Modernism. New Haven and London: Yale UP, 2006. 120-39. ISBN 0-300-10820-6. SCOTT, J. D. These Islands’ Clamouring Voices: Demotic Discourse and Contemporary Narrative Methodology. Ph.D. diss. Kent, 2004. [Index to Theses 53 (2004): 53-12244. U as “methodological matrix.”] SEED, David. “British Modernists Encounter the Cinema.” Literature and the Visual Media. Ed. David Seed. Essays and Studies, 2005, 58. Woodbridge, Suffolk: D. S. Brewer, 2005. 48-73. ISBN 1-84384-056-1. [Especially “James SENN, Fritz. “The Potency of Error (exemplified in Joyce’s Ulysses).” The Book as Artefact, Text and Border. Ed. Anne Mette Hansen and others. Variants, 4. Amsterdam and New York: Rodopi, 2005. 241-53. ISBN 90-420-1888-7. SHANAHAN, Fergus, and Eamonn M. M. Quigley. “Medicine in the Age of Ulysses: James Joyce’s Portrait of Life, Medicine, and Disease on a Dublin Day a Century Ago.” Perspectives in Biology and Medicine 49, ii (Spring 2006): 276-85. SHARKEY, E. Joseph. Idling the Engine: Linguistic Skepticism in and around Cortázar, Kafka, and Joyce. Washington, DC: Catholic U of America P, 2006. xvi, 283 pp. ISBN 0-8132-1441-6. SHELTON, Jen. Joyce and the Narrative Structure of Incest. Florida James Joyce Series. Gainesville: UP of Florida, 2006. [xiii], 157 pp. ISBN 0-8130-2995-3. (SHLOSS. Lucia Joyce. 2004.) [Rev.: Eugene O’Brien, Irish Book Review 1, i (Summer 2005): 49.] SPENCER-JONES, Claire. “Making Sport of Violence: The Presence of The Sepoy Mutiny in James Joyce’s Ulysses and J. G. Farrell’s The Siege of Krishnapur.” Picturing South Asian Culture in English: Textual and Visual Representations. Ed. Tasleem Shakur and Karen D’Souza. Liverpool: Open House Press, 2003. 32-45. ISBN 0-9544463-0-5. STRATHMAN, Christopher A. Romantic Poetry and the Fragmentary Imperative: Schlegel, Byron, Joyce, Blanchot. Albany: State Univ. of New York Press, 2006. xi, 204 pp. ISBN 0-7914-6457-1. TERRINONI, E. Joyce and the Occult: Hidden Narrative Patterns in Joyce’s Ulysses. Ph.D. diss. University College, Dublin, 2004. [Index to Theses 54 (2005): 54-5141.] THACKER, Andrew, ed. Dubliners: James Joyce. New Casebooks. Houndmills, Basingstoke: Palgrave Macmillan, 2006. ix, 229 pp. ISBN 0-333-77769-7. [Contents: Andrew Thacker, “Introduction,” 1-14; Thomas F. Staley, “A Beginning: Signification, Story, and Discourse in Joyce’s ‘The Sisters,’” 15-32; Jean-Michel Rabaté, “Silences in Dubliners,” 33-51; Suzette A. Henke, “Through a Cracked Looking-Glass: Desire and Frustration in Dubliners,” 52-75; Margot Norris, “Narration Under a Blindfold: Reading Joyce’s ‘Clay,’” 76-95; Trevor L. Williams, “No Cheer for the ‘Gratefully Oppressed’: Ideology in Joyce’s Dubliners,” 96-116; R. B. Kershner, “‘An Encounter’: Boys’ Magazines and the Pseudo-Literary,” 117-34; Robert Spoo, “Uncanny Returns in ‘The Dead,’” 135-55; Vincent J. Cheng, “‘Araby’: The Exoticised and Orientalised Other,” 156-73; Kevin J. H. Dettmar, “The Dubliners Epiphony: (Mis)Reading the Book of Ourselves,” 175-95; Luke Gibbons, “‘Have you no homes to go to?’: James Joyce and the Politics of Paralysis,” 196-223.] THOMPSON, Helen. “Hysterical Hooliganism: O’Brien, Freud, Joyce.” Wild Colonial Girl: Essays on Edna O’Brien. Ed. Lisa Colletta and Maureen O’Connor. Irish Studies in Literature and Culture. Madison: U of Wisconsin P, 2006. 31-57. ISBN 0-299-21630-6. THORGREN, Ulf. “Till minne av staden han tvingades lämna - James Joyce.” Dagens arbete no. 5 (2002): 40-43. (THURSTON. James Joyce and the Problem of Psychoanalysis. 2004.) [Revs.: Peter de Voogd, English Studies 87, i (February 2006): 119-21; David G. Wright, English Literature in Transition 1880-1920 49, i (2006): 95-99.] VAN HULLE, Dirk. “The Manner of Meaning: Ogden and Beckett Translating Joyce.” BELL: Belgian Journal of English Language and Literature 2 (2004): 75-84. VAN HULLE, Dirk. “Zum editorischen Umgang mit Notizbüchern, mit einem besonderen Blick auf Joyces Finnegans Wake-Notebooks.” Editio 18 (2004): 145-56. VÉCSEY, Esther. “Joyce’s Hungarian Connection.” Budapest Sun (8-14 June 2006): Style, 1. WALKOWITZ, Rebecca L. “Joyce’s Triviality.” Cosmopolitan Style: Modernism Beyond the Nation. New York: Columbia UP, 2006. 55-77. ISBN 0-231-13750-8. WALTON, Chris. “. . . with the twinx of their taylz...Schoeck und James Joyce.” Othmar Schoeck und seine Zeitgenossen: Essays über Alban Berg, Ferruccio Busoni, Hermann Hesse, James Joyce, Thomas Mann, Max Reger, Igor Strawinsky und andere. Winterthur: Amadeus, 2002. 87-91. ISBN 3-905049-90-2. WEIGEL, Andreas. “James Joyces Österreich-Aufenthalte: Innsbruck (Juli 1928), Salzburg (Sommer 1928) und Feldkirch (1915, Sommer 1932).” Praesent 2006: Das literarische Geschehen in Österreich von Juli. 2004 bis Juni. 2005. Ed. Michael Ritter. Vienna: Praesens Verlag, 2005. 95-107. ISBN 3-7069-2006-9. WEINSTEIN, Arnold. Recovering Your Story: Proust, Joyce, Woolf, Faulkner, Morrison. New York: Random House, 2006. xii, 496 pp. ISBN 1-4000-6094-X. WOOD, M. Qualities of Movement: Travel and Environment in Modern Epic Literature. Ph.D. diss. Nottingham Univ., 2003. [Index to Theses 53 (2004): 53-9737. Paradise Lost, Wordsworth’s The Prelude, Byron’s Don Juan, U, Walcott’s Omeros, Dun’s Vale Royal.] THEATRICAL PRESENTATIONS
(Bl,.m. 2003.) [Rev.: Kevin Jackson, Sight and Sound 16, viii (August 2006): 64-65.] Dead City. Perf. at 3LD Art & Technology Center, New York. [Loose theatrical adaptation of U, written by Sheila Callaghan; prod. New Georges. Feature article: Campbell Robertson, “A June 16 in the City: Yes, Yes, Yes, Yes, Yes, Yes,” New York Times (16 June 2006): E1.] Exiles. Dir. James MacDonald. Perf. at Cottesloe, National Theatre, London. 2 August-26 October 2006. [Revs. and commentary: Philip Hensher, “The Play’s the Thing . . . Unless You’re a Novelist,” Guardian (26 July 2006): Features 18; Edna O’Brien, “The Ogre of Betrayal,” Guardian (29 July 2006): Review 10; Benedict Nightingale, “James Joyce, the Playwright,” Times (31 July 2006): Features 16; Paul Taylor, “Love Hurts,” Independent (1 August 2006): Features, 14; Rhoda Koenig, “After 36 Years, a Welcome Return for Joyce’s Tale of Tenderness,” Independent (3 August 2006): 9; Michael Billington, “In Married Life, Three’s Company, Two’s None,” Guardian (3 August 2006): Review, 38; Sheridan Morley, “Exiles Trapped in a World of Sex,” Express (3 August 2006): 21; Nicholas de Jongh, “Welcome to the Erotic Rectangle,” Evening Standard (3 August 2006): 36; Quentin Letts, Daily Mail (3 August 2006): 8; Alastair Macaulay, Financial Times (4 August 2006): 9; Benedict Nightingale, “Joyce’s Stab at Drama Is as Sharp as Ever,” Times (4 August 2006): Features, 31; Rhoda Koenig, Independent (4 August 2006): Features 15; Dominic Cavendish, “Unjustly Neglected - But No Masterpiece Theatre,” Daily Telegraph (4 August 2006): Features 26; Christopher Hart, “Meet the Trouble and Strife,” Sunday Times (6 August 2006): Features 21; Kate Bassett, “Thanks, Mr Joyce - Don’t Call Us,” Independent on Sunday (6 August 2006): Features 11; Brian Logan, Time Out (9 August 2006): 120; and Robert Tanitch, “Blurred Motives,” Morning Star (10 August 2006).] Finnegans Wake: The Tale of Shem the Penman. Perf. at C Cubed, Edinburgh. 3-28 August 2006. [Adam Harvey’s recitation and enactment of the episode. On the Joyce estate’s opposition: Jack Malvern, “Show Goes On as Quirk of Law Foils Joyce’s Grandson,” Times (11 August 2006): Home News 29.] “Listing Love’s Loves.” Lingua Franca. ABC Radio National. 15 July 2006. 14 min., 55 sec. [Peta Logan on the “love” section in “Cyclops.” <http://www.abc.net.au/rn/linguafranca/stories/2006/1685887.htm>. Accessed October 2006.] “Re: Joyce.” With Good Reason. VFH Radio. 10-16 June 2006. 29 min., 52 sec. [Sarah McConnell interviews Jolanta Wawrzycka and Theo Dorgan. <http://www.withgoodreasonradio.org/archives/2006/jun06wgr.html>. Accessed October 2006.] MUSICAL SETTINGS / BROADCASTS
ÖLBEI, Lívia. “Joyce és Petöfi: Ma 17.30-kor: magyaroszági bemutató a Bartók Teremben.” Vas Népe (Szombathely) (16 June 2006): 7. [Performance of Seiber’s settings from P.] RECORDINGS
Bloomsday on Broadway XXIV. New York: Symphony Space, 2005. 4 compact dics. [Readings mostly of excerpts from U, and from “ALP,” “Flower for my Daughter,” “Noise of the Waters,” “Ecce Puer,” and “The Dead”; sung performances of “Seaside Girls,” “Down by the Sally Gardens,” “Shul Aroon,” “The Lass of Aughrim,” “Love’s Old Sweet Song,” and Raluca Barbulescu’s “Oh Tell Me”; readings of JJ letters, including to Nora 31 August 1909 (SL 165-66), 2 September 1909 (SL 166-67), and 3 December 1909 (SL 181-83), to Stanislaus 9 October 1906 (SL 115-19), and to Frank Budgen 16 August 1921 (SL 284-85); of a letter from Sylvia Beach to JJ, 12 April 1927; of Padraic Colum’s rev. of FW (D2 2266).] MISCELLANEOUS
BRINGARDNER, John. “Portrait of the Scholar as an IP Ace.” IP Law & Business (October 2006): 64, 66. [Profile of Robert Spoo.] CANAVAN, Tony. “James Joyce and Ulysses.” History Ireland 12, iii (Autumn 2004): 54-55. [Review of the National Library of Ireland’s JJ exhibit.] COETZEE, J. M. Elizabeth Costello. New York: Viking, 2003. 230 pp. ISBN 0-670-03130-5. [Novel about the author of a novel about Molly Bloom entitled The House on Eccles Street.] DAVIS, William A. “A Novel Approach: They’ve Been Reading Finnegans Wake Since 1996. They’ll Probably Finish It in 2021.” Boston Globe (25 April 2006). [Reading group.] KILLEEN, Terence. “UCD Appoints Newly Created Professor of James Joyce Studies.” Irish Times (7 September 2006): Ireland, 9. [Anne Fogarty.] MADDEN, Christine. “A Business Head on Joycean Shoulders.” Irish Times (15 June 2006): 14. [Profile of Laura (Rosenfeld) Barnes, director of the James Joyce Centre.] MCGINNITY, Patrick. “The Living.” The Harrow 9, iii (2006). [“Short story attempting to act as a counterpoint to James Joyce’s ‘The Dead.’” <http://www.theharrow.com/journal/viewarticle.php?id=449>. Accessed October 2006.] PRUETT, Gordon. “The Legacy of Harley K. Croessmann.” Cornerstone: The Newsletter of Morris Library 2, i (Fall 2006): 6, 8-11. [Southern Illinois University’s acquisition of the Croessmann JJ collection in the 1950s.] |