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Kara Oakleaf
from Loving Marie I am in love with Marie Antoinette. * * * I found her during free period. The teacher saw me looking at a comic book and took it away because I was meant to be studying. I took my history book out of my bag and dropped it on the desk from a few inches in the air so it made a loud thud. The other boys looked at me. I ignored them and did not look back. I stuck my finger between some pages in the middle of the book and opened it and she was staring up from a picture in the corner. In some paintings, the ladies’ eyes follow you wherever you go, but in this painting, Marie Antoinette looked me in the eye like all along she’d been waiting for me to look back. In the painting, she wears a blue dress that pinches her waist and her skin is so pale that it blends into the lace at her collar and her sleeves. Her cheeks, though, are pink, and when I noticed, I felt my own cheeks turn pink, too, like we were nervous to be meeting for the first time. * * * My brother says you fall in love all at once, and you know you’re in love because it’s like getting hit with lightning. Most people don’t fall in love from just a painting, but that’s how I felt when I found her. Like I was hit hard with a bolt of hot energy, and all of my insides sizzled and crackled. Peter Munro Prelude Craggy as the shell of a dog whelk, these prayers spiral outward, ordered, disordered, devised to help me live with what I do not know: When I was a boy something happened. I am not being coy. If I knew what it was, I would tell you clearly. I know that I knew more about tide pools and the beasts that grapple to pilings, about gulls buckling their songs to the rain, and about the storms that swept across the Gulf of Alaska to crash against my little town, than I knew about the tide and the weather rising through me. Because it happened when I was a boy, as a boy I noted the purple slow sea star, how it killed, striking imperceptibly between low tide and low. I watched the basket cockle speak ridges into its heart- shaped armor, secreting added strength against the claws of the dungeness crab. I studied the names of those creatures that stayed alive by hiding or by clamping down or by building walls or by taking the phrases of camouflage into their skins and striking the unwary. While I was still a child I taught myself to hunger quietly, under cover of drama. I taught myself the language of not knowing and subjugated my tongue to the tongues of sea gulls, leaving for the Holy Ghost only gibberish out of which to carve the Word aflame, out of which to carve the words for rain. I taught myself to extrude my gut like the sea-star, vulnerable and deadly and unrecognizable and the rain veiled it all and I worshiped the rain. Susan Dworski Nusbaum Psalm Without a word, you did this for me: gathered my whites, my darks, spot-cleaned my green sweater, sorted my underpants, underwire bras, nightgown, separated out the gray-soled gym socks, removing crumpled tissues from my black jeans, turning them inside out, set aside my red blouse with the pearl buttons for special attention. All the while, I wrote poems upstairs listening to the whoosh of hot water, the tumbling of snaps and zippers, heard you shake out the wrinkles, your wedding band clinking on the folding table as you straightened my shoulders, buttoned my fronts, felt for dampness, tenderly pressing cottons and silks with your dry hands, as the scent of cleanliness released from the drier drifted up the steps. You let me be; my throat catches in gratitude— my things laid out on our bed, folded square, crotches tucked, cups nestled inside one another, bleached soles, matched in pairs and rolled, arms bent at the elbow hugging my spotless torso. Without a word, all accounted for, shining. Michele Ruby fromSouvenir The text message on Will’s cell was the old one: “Gerhardt: Java Jones, 11:00Saturday. You’ll receive your instructions then.” Will considered texting him back with a “No can do, man,” but damn, it’d be good to revisit the old days. At 10:45on Saturday, Will bought a coffee, selected a spot near the entrance, and jackknifed himself into the plastic seat to wait. They hadn’t played the game all spring, not since Scott had abandoned Will to join the tennis team. Last semester they’d played it nearly every weekend, but now Scott practiced with the club pro on weekends—returning to his blond roots, Will had called it after Scott had ditched the brow ring and let the black dye grow out. Scott was now muscled and tan. Will was still pale and too tall for his musculature, as if he’d been built from Tinker Toys. His t-shirt flapped around him when he walked. He hung with the theater crowd and Scott hung with the jocks. The last time Will saw Scott, he had his arm draped around the shoulder of Preston Sterling, and the two boys were laughing about something. Will didn’t begrudge Scott the new jock identity. As a military brat, Will had been in the habit of reinventing himself every year or so—new town, new crowd,new Will. When Will moved to Arlingtonjust as his junior year was starting, Scott had been his acting partner in Mr. Seabry’s theatre class. Now Scott frequently acted as if he barely knew Will. Evidently, for Scott, the history field trip to the SpyMuseum was just that—history, along with the aliases they’d been given when they entered the museum—Gerhardt and Ferguson. Scott had invented the game on the ride home. “Guess which?”Scott had begun it. He slumped against the seat, holding his backpack to his chest, closing his eyes and bobbing his head. Will looked around the metro car. Across the aisle, an older woman was nodding off over her purse; Scott had nailed her exhaustion, down to the mouth hanging just open. Observation exercise number two from Mr. Seabry’s class. “Research,”Mr. Seabry had called it. “Stealing their souls,”Scott called it. Then he did Will: somehow he folded his frame into the seat so his elbows and knees seemed to protrude everywhere. He hummed under his breath andcocked his head to the right—Will’s pose of concentration. Will laughed, grateful for the opportunity to see what he’d look like if he were as blond and perfect as Scott. Will did a fidgety kid a few seats up and then his scowling mother, but Scott was unimpressed. “Do your research,”he said in Mr. Seabry’s voice. “Follow that woman until you know her every quirk, her movement vocabulary, her very soul.” Mr. Seabry was big on movement vocabulary. Will took the challenge and got off the subway when the mother did. Scott hurried after him. They followed the scowling mother to the grocery where she bought a candy bar to keep the kid quiet, a roasted chicken, a bag of salad, a half-gallon of milk, and a generic pain reliever. Back on the sidewalk, Will built into his take the woman’s headache and the incessant chatter of the kid, and Scott was impressed. “Well done, Gerhardt. Now it’s Ferguson’s turn.” And they tailed a man in a turban into the store. The game evolved; they built backstories for Gerhardt and Ferguson, and increasingly complicated spy histories for the people they followed. They followed their marks for longer, and sometimes split up, going solo to avoid notice, making a contest out of it. Eventually, the stakes were raised, and some proof was required. That was Scott’s specialty—raising the stakes. Carol Was Photo of a Caterpillar Cimbex femorata Her plump body curls, pale green spiral, black ink spots on hairless flesh, bare as gingko branches in winter, as a needy heart. She looks like she crawled from an ancient urn, camellia petals, or cherry blossoms in Arakwa. She’s plunged headlong across our desktop from Siberia’s LakeBoikal where it isn’t the frigid world we imagined, but summer with finch wings, daffodils, a background unlikely as the hideaway Ferlinghetti kept in RainbowCanyon, his cabin shrouded in fog hanging over hairpin curves that seem to fall into the sea, on the brink, insatiable craving, like a wingless larva latched to a bamboo twig, and she is an Asian watercolor, little ambassador waiting to transform, like the chasms we cross blind as the Snake River rushing where it must, every turn unknowable as the path of a whooping crane on the verge of extinction. How determined she is, her silky skin glistening, and we still teeter on the edge between risk and want.
Jacqueline Guidry
fromFlirting with Normal, Flirting with Crazy |
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