From the Editor, 263-270
Holly Laird
Articles
Editing Early Modern Women Writers
‘And Thus Leave Off’: Reevaluating Mary Wroth’s Folger Manuscript, V.a.104, 273-291
Heather Dubrow
Terrible Texts, ‘Marginal’ Works, and the Mandate of the Moment: The Case of Eliza Haywood, 293-314
Alexander Pettit
Confined and Exposed: Elizabeth Carter’s Classical Translations, 315-334
Jennifer Wallace
‘I am Equally Weary of Confinement’: Women Writers and Rasselas from Dinarbus to Jane Eyre, 335-356
Jessica Richard
Granny at Seventeen: Mary Sarton’s Early Encounters with the Land of Old Age, 357-370
Sylvia Henneberg
The Eroticism of Class and the Enigma of Margaret Atwood’s Alias Grace, 371-386
Sandra Kumamoto Stanley
Hausa Women Writers Confronting the Traditional Status of Women in Modern Islamic Society: Feminist Thought in Nigerian Popular Fiction, 387-408
Novian Whitsitt
Reviews
Analyzing Freud: Letters of H.D., Bryher, and Their Circle, edited by Susan Stanford Friedman, 409-411
Ann L. Ardis
Modernist Women and Visual Cultures: Virgina Woolf, Vanessa Bell, Photography and Cinema, by Maggie Humm, 411-416
Diane Burton
Shirley Jackson’s American Gothic, by Darryl Hattenhauer, 416-417
Stephanie Branson
The Bleeding of America: Menstruation as Symbolic Economy in Pynchon, Faulkner, and Morrison, by Dana Medro, 417-419
Olivia Martin-Phillips
Maternal Body and Voice in Toni Morrison, Bobbie Ann Mason, and Lee Smith, by Paula Gallant Eckard, 419-423
Dorothy M. Scura
Revising Women: Eighteenth-Century “Women’s Fiction” and Social Engagement, edited by Paula R. Backscheider, 423-425
Rikki Noel-Williams
