Spring 2003, Vol. 22, No. 1

From the Editor, 7-11
Holly Laird

Archives

Ann Yearsley and the Politics of Patronage, The Thorp Arch Archive: Part II, 13-56
Frank Felsenstein

Articles

Lesbian Criticism and Feminist Criticism: Readings of Millenium Hall, 57-80
Sally O’Driscoll

Bachelors and “Old Maids”: Antirevolutionary British Women Writers and Narrative Authority after the French Revolution, 81-98
Lisa Wood

“So Minute and Yet So Alive”: Domestic Modernity in E.H. Young’s William, 99-120
Stella Deen

Mad and Modern: A Reading of Emily Holmes Coleman and Antonia White, 121-147
Kylie Valentine

Homoerotics of Influence: Eudora Welty Romances Virginia Woolf, 149-171
Shameem Black

“The Hero is Married and Ascends the Throne”: The Economics of Narrative End in Shirley Jackson’s We Have Always Lived in the Castle, 173-191
Honor McKitrick Wallace

Review Essay

Yes, Miss Burney, 193-201
Betty Rizzo

Reviews

Feminism Beyond Modernism, by Elizabeth A. Flynn, 203-206
Margaret D. Stetz

Melanie Klein, by Julia Kristeva, 206-209
J. M. Baker, Jr.

Rethinking Women’s Collaborative Writing: Power, Difference, Propery, by Lorraine York, 209-211
Janice Doan and Devon Hodges

Influencing America’s Tastes: Realism in the Works of Wharton, Cather and Hurst, by Stephanie Lewis Thompson, 211-214
Michael H. Berglund

Jane Austen and the Theatre, by Penny Gay, 214-216
Maria H. Frawley

Suniti Namjoshi: The Artful Transgressor, by C. Vijayasree, 216-217
Ruth Vanita

Remapping the Home Front: Locating Citizenship in British Women’s Great War Fiction, by Debra Rae Cohen, 218-219
Geneviève Brassard

Eat My Words: Reading Women’s Lives Through the Cookbooks They Wrote, by Janet Theophano, 220-221
Patricia Moran

Mary Wollstonecraft Sojourner Truth Margaret Atwood Abigail Adams Amy Tan H.D. Simone de Beauvoir Zora Neale Hurston Frances Burney Virginia Woolf

"The white saxifrage with the indented leafe is moste commended for the breakinge of the Stone."

— Turner, Herbal, III, 68 [1568]