Fall 2003, Vol. 22, No. 2

From the Editor, 263-270
Holly Laird

Articles

Editing Early Modern Women Writers

“And Thus Leave Off”: Reevaluating Mary Wroth’s Folger Manuscript, V.a.104, 273-291
Heather Dubrow

Terrible Texts, “Marginal” Works, and the Mandate of the Moment: The Case of Eliza Haywood, 293-314
Alexander Pettit

Confined and Exposed: Elizabeth Carter’s Classical Translations, 315-334
Jennifer Wallace

“I am Equally Weary of Confinement”: Women Writers and Rasselas from Dinarbus to Jane Eyre, 335-356
Jessica Richard

Granny at Seventeen: Mary Sarton’s Early Encounters with the Land of Old Age, 357-370
Sylvia Henneberg

The Eroticism of Class and the Enigma of Margaret Atwood’s Alias Grace, 371-386
Sandra Kumamoto Stanley

Hausa Women Writers Confronting the Traditional Status of Women in Modern Islamic Society: Feminist Thought in Nigerian Popular Fiction, 387-408
Novian Whitsitt

Reviews

Analyzing Freud: Letters of H.D., Bryher, and Their Circle, edited by Susan Stanford Friedman, 409-411
Ann L. Ardis

Modernist Women and Visual Cultures: Virgina Woolf, Vanessa Bell, Photography and Cinema, by Maggie Humm, 411-416
Diane Burton

Shirley Jackson’s American Gothic, by Darryl Hattenhauer, 416-417
Stephanie Branson

The Bleeding of America: Menstruation as Symbolic Economy in Pynchon, Faulkner, and Morrison, by Dana Medro, 417-419
Olivia Martin-Phillips

Maternal Body and Voice in Toni Morrison, Bobbie Ann Mason, and Lee Smith, by Paula Gallant Eckard, 419-423
Dorothy M. Scura

Revising Women: Eighteenth-Century “Women’s Fiction” and Social Engagement, edited by Paula R. Backscheider, 423-425
Rikki Noel-Williams

Mary Wollstonecraft Sojourner Truth Margaret Atwood Abigail Adams Amy Tan H.D. Simone de Beauvoir Zora Neale Hurston Frances Burney Virginia Woolf

"The white saxifrage with the indented leafe is moste commended for the breakinge of the Stone."

— Turner, Herbal, III, 68 [1568]