Fall 2011, Vol. 30, No. 2

WOMEN AND ANGLO-AMERICAN PERIODICALS

From the Editor, 241-244 [full preface]
Laura M. Stevens

Articles

“Connections, which are of service … in a more advanced age”: The Lady’s Magazine , Community, and Women’s Literary Histories, 245-267 [abstract]
Jennie Batchelor

“The Character of Editress”: Marian Evans at the Westminster Review, 1851-54, 269-290 [abstract]
Fionnuala Dillane

The Anatomy of Complicity: Rebecca Harding Davis, Peterson’s Magazine, and the Civil War, 291-315 [abstract]
Sharon M. Harris

Expanding Woolf’s Gift Economy: Consumer Activity Meets Artistic Production in The Dial, 317-342 [abstract]
Amanda Sigler

Tears on Trial in the 1920s: Female Emotion and Style in Chicago and Machinal, 343-369 [abstract]
Jean Marie Lutes

A Chameleonic Character: Celebrity, Embodiment, and the Performed Self in Cornelia Otis Skinner’s Magazine Monologues, 371-392 [abstract]
Jamie Libby Boyle

From a Tarantula on a Banana Boat to a Canary in a Mine: Ms. Magazine as a Cautionary Tale in a Neoliberal Age, 393-405 [abstract]
Amy Erdman Farrell

Innovations

The Mess and Muddle of Modernism: The Modernist Journals Project and Modern Periodical Studies, 407-428
Sean Latham

Review Essay

Around 1910: Periodical Culture, Women’s Writing, and Modernity, 429-439 [full essay]
Barbara Green

Afterword

We Other Periodicalists, or, Why Periodical Studies?, 441-450 [full afterword]
Manushag N. Powell

Reviews

Exaltadas: A Female Genealogy of Transcendentalism,, special issue of ESQ, edited by Phyllis Cole and Jana Argersinger, 451-454
Brigitte Bailey

Women Writers of the American West, 1833-1927, by Nina Baym, 454-456
Shelley S. Armitage

Domesticity and Design in American Women’s Lives and Literature: Stowe, Alcott, Cather, and Wharton Writing Home, by Caroline Chamberlin Hellman, 456-458
Randi Lynn Tanglen

Writing the Black Revolutionary Diva: Women’s Subjectivity and the Decolonizing Text, by Kimberly Nichele Brown, 458-461
Kevin Quashie

Unassimilable Feminisms: Reappraising Feminist, Womanist, and Mestiza Identity Politics, by Laura Gillman, 462-464
Megan Sibbett

Spiritual Mestizaje: Religion, Gender, Race, and Nation in Contemporary Chicana Narrative, by Theresa Delgadillo, 465-467
C. Alejandra Elenes

Jane Austen’s Anglicanism, by Laura Mooneyham White, 467-469
Malinda Snow

Women’s Authorship and Editorship in Victorian Culture: Sensational Strategies, by Beth Palmer, 469-472
Vicky Simpson

Radclyffe Hall: A Life in the Writing, by Richard Dellamora, 472-474
Margaret D. Stetz

Stevie Smith and Authorship, by William May, 474-475
Marina MacKay

Women’s Poetry and Popular Culture, by Marsha Bryant, 475-478
Amanda Golden

Modernist Short Fiction by Women: The Liminal in Katherine Mansfield, Dorothy Richardson, May Sinclair, and Virginia Woolf, by Claire Drewery, 478-480
Geneviève Brassard

Contemporary Women Writers Look Back: From Irony to Nostalgia, by Alice Rideout, 480-482
Nick Turner

Chick Lit and Postfeminism, by Stephanie Harzewski, 482-484
Mallory Young

Spring 2011, Vol. 30, No. 1

From the Editor: On Translation, 7-14 [full preface]
Laura M. Stevens

Articles

An Arab Woman Poet as a Crossover Artist? Reconsidering the Ambivalent Legacy of Al-Khansaʾ, 15-36 [abstract]
Michelle Hartman

Anne Finch, Restoration Playwright, 37-56 [abstract]
Diana Solomon

A Creole Contagion: Narratives of Slavery and Tainted Wealth in Millenium Hall, 57-70 [abstract],
Nicolle Jordan

Writing the Eighteenth-Century Household: Leapor, Austen, and the Old Feudal Spirits, 71-91 [abstract],
Elizabeth Veisz

Elizabeth Barrett Browning’s Dog Days, 93-115 [abstract]
Kevin A. Morrison

“This posthumous life of mine”: Tragic Overliving in the Plays of Marina Carr, 117-139 [abstract]
Kelly A. Marsh

Casting the Bones of Willa Mae Beede: Passing and Performativity in Suzan-Lori Parks’s Getting Mother’s Body, 141-157 [abstract]
Laura Wright

Reviews

Women, Writing, and Language in Early Modern Ireland, by Marie-Louise Coolahan, 159-161
Katharine Gillespie

Of Love and War: The Political Voice in the Early Plays of Aphra Behn, by Judy A. Hayden, 161-164
Cynthia Richards

The Ravishing Restoration: Aphra Behn, Violence, and Comedy, by Ann Marie Stewart, 164-167
Jennifer Frangos

Women’s Work: Labour, Gender, Authorship, 1750-1830, by Jennie Batchelor, 168-170
Laura Stenberg

The Fiction of Enlightenment: Women of Reason in the French Eighteenth Century, by Heidi Bostic, 170-172
Nadine Bérenguier

Uneasy Possessions: The Mother-Daughter Dilemma in French Women’s Writings, 1671-1928, by Katharine Ann Jensen, 172-174
Juliette M. Rogers

Canadian Women in Print, 1750-1918, by Carole Gerson, 175-176
Roxanne Rimstead

Mary Chestnut’s Civil War Epic, by Julia A. Stern, 177-178
Catherine Clinton

Antebellum American Women Writers and the Road: American Mobilities, by Susan L. Roberson, 178-180
Mary Bortnyk Rigsby

Hellenism and Loss in the Work of Virginia Woolf, by Theodore Koulouris, 180-182
Beth C. Rosenberg

The White Negress: Literature, Minstrelsy, and the Black-Jewish Imaginary, by Lori Harrison-Kahan, 183-184
Stephanie Li

Pink Pirates: Contemporary American Women Writers and Copyright, by Caren Irr, 184-186
Heidi Slettedahl Macpherson

Playing Smart: New York Women Writers and Modern Magazine Culture, by Catherine Keyser, 186-188
Rhonda Pettit

Neodomestic American Fiction, by Kristin J. Jacobson, 188-190
Mary Titus

Techniques for Living: Fiction and Theory in the Work of Christine Brooke-Rose, by Karen R. Lawrence, 190-193
Patrick Moran

Mary Wollstonecraft Sojourner Truth Margaret Atwood Abigail Adams Amy Tan H.D. Simone de Beauvoir Zora Neale Hurston Frances Burney Virginia Woolf

"The white saxifrage with the indented leafe is moste commended for the breakinge of the Stone."

— Turner, Herbal, III, 68 [1568]