Fall 2014, Vol. 33, No. 2

Volume 33, Number 2

From the Editor: Transitions, 9-17 [full preface]
Laura M. Stevens

In Memoriam: Charlotte Cathey Stewart, 19-21 [full text]

Articles

Shrew(d) Maternities, Elizabeth Cary’s Life, and Filial Equivocations, 23-50 [abstract]
Elizabeth Ann Mackay

Archipelagic Coterie Space: Katherine Philips and Welsh Women’s Writing, 51-76 [abstract]
Sarah Prescott

“Kitchen Queens” and “Tributary Housekeepers”: Irish Servant Stories in Nineteenth-Century Women’s Magazine Fiction, 77-101 [abstract]
Christine Palumbo-DeSimone

The Anxious Lives of Clever Girls: The University Novels of Margaret Drabble, A. S. Byatt, and Hilary Mantel, 103-121 [abstract]
Mary Eagleton

Robin Morgan, Jane Alpert, and Feminist Satire, 123-150 [abstract]
Elizabeth Hedrick

“what I know I cannot know, I must not forget”: Intimations of Alterity in Anna Rabinowitz’s Darkling, 151-178 [abstract]
Claudia Ingram

Zadie Smith On Beauty, Youth, and Aging, 179-202 [abstract]
Colleen Fenno

Archives

Locating Women in Male-Authored Archives: Catharine Brown, Cherokee Women, and the ABCFM Papers, 203-215 Theresa Strouth Gaul

Innovations

Ming Qing Women’s Writings: A Digital Archive and Database of Women’s Literature and History in Late Imperial China, 217-225
Grace S. Fong

The Birth of a Database of Historical Periodicals: Chinese Women’s Magazines in the Late Qing and Early Republican Period, 227-237
Doris Sung, Liying Sun, Matthias Arnold

Reviews

Utopian Negotiation: Aphra Behn and Margaret Cavendish, by Oddvar Holmesland, 239-241
Cynthia Richards

The Matrimonial Trap: Eighteenth-Century Women Writers Redefine Marriage, by Laura E. Thomason, 242-244
Katherine Montwieler

Women, Work, and Clothes in the Eighteenth-Century Novel, by Chloe Wigston Smith, 244-247
Ashley Schoppe

Fallen Forests: Emotion, Embodiment, and Ethics in American Women’s Environmental Writing, 1781-1924, by Karen L. Kilcup, 247-250
Rochelle L. Johnson

Victorian Art Criticism and the Woman Writer, by John Paul M. Kanwit, 250-252
Jennifer J. Krisuk

George Eliot and Money: Economics, Ethics and Literature, by Dermot Coleman, 252-254
Susan E. Cook

Virginia Woolf, Jane Ellen Harrison, and the Spirit of Modernist Classicism, by Jean Mills, 255-257
Theodore Koulouris

The Past That Might Have Been, the Future That May Come: Women Writing Fantastic Fiction, 1960s to the Present, by Lauren J. Lacey, 257-259
Sharon R. Wilson

Activism and the American Novel: Religion and Resistance in Fiction by Women of Color, by Channette Romero, 259-261
Robin E. Field

Nomadic Ethics in Contemporary Women’s Writing in German: Strange Subjects, by Emily Jeremiah, 261-263
Heike Henderson

Poetry, Geography, Gender: Women Rewriting Contemporary Wales, by Alice Entwistle, 264-266
Helen Fulton

Sherazade, by Leïla Sebbar, translated from French by Dorothy S. Blair, 266-268
Michael O’Riley

A True Novel, by Minae Mizumura, translated from Japanese by Juliet Winters Carpenter, 268-270
Janice Brown

Fall 2013/Spring 2014, Vol. 32, No. 2/Vol. 33, No. 1

Theorizing Breast Cancer: Narrative, Politics, Memory

From the Editors, 7-23 [full preface]
Mary K. DeShazer and Anita Helle

Articles

Virtual Cancer: BRCA and Posthuman Narratives of Deleterious Mutation, 25-45 [abstract]
Diane Price Herndl

Emplotted Bodies: Breast Cancer, Feminism, and the Future, 47-70 [abstract]
Emily Waples

Valid/Invalid: Women’s Cancer Narratives and the Phenomenology of Bodily Alteration, 71-87 [abstract]
Jane E. Schultz

“This is how we live”: Witnessing and Testimony in BRCA Memoirs, 89-105 [abstract]
Amy Boesky

“Less Than Perfect”: Negotiating Breast Cancer in Popular Romance Novels, 107-128 [abstract]
Melissa F. Zeiger

“Is Anybody Paying Attention?”: Breast Cancer on Stage in the Twenty-first Century, 129-146 [abstract]
Marta Fernández-Morales

Cancer Comics: Narrating Cancer through Sequential Art, 147-162 [abstract]
Martha Stoddard Holmes

Onco-Filmographics: The Politics and Affects of the Canadian Breast Cancer Documentary, 163-187 [abstract]
Eva C. Karpinski

Willful Vulnerability: Generous Offerings in Cancer in Two Voices and The Century Project, 189-217 [abstract] 
Michelle Peek

Living Breast Cancer: The Art of Hollis Sigler, 219-239 [abstract]
Laura E. Tanner

Reviews

Mammographies: The Cultural Discourses of Breast Cancer Narratives, by Mary K. DeShazer, 241-243
Shelly A. Gregory

Elizabeth Singer Rowe and the Development of the English Novel, by Paula R. Backscheider, 243-246
John Richetti

Anna Seward and the End of the Eighteenth Century, by Claudia Thomas Kairoff, 246-248
Jacqueline M. Labbe

In Contempt: Nineteenth-Century Women, Law, and Literature, by Kristin Kalsem, 248-250
Ayelet Ben-Yishai

Modernism, Feminism, and the Culture of Boredom, by Allison Pease, 251-253
Bonnie Kime Scott

Mother and Myth in Spanish Novels: Rewriting the Maternal Archetype, by Sandra J. Schumm, 253-255
Teresa S. Soufas

Hatred and Forgiveness, by Julia Kristeva, translated from French by Jeanine Herman, 255-257
Nicole Pohl

Mary Wollstonecraft Sojourner Truth Margaret Atwood Abigail Adams Amy Tan H.D. Simone de Beauvoir Zora Neale Hurston Frances Burney Virginia Woolf

"The white saxifrage with the indented leafe is moste commended for the breakinge of the Stone."

— Turner, Herbal, III, 68 [1568]