Tulsa Studies in Women’s Literature welcomes the submission of Articles, Notes, and Archives essays on literature in all time periods and places, including foreign-language literatures, and in every genre—poetry, prose, drama, essays, diaries, memoirs, journalism, and criticism. While Articles need not be exclusively concerned with female writers, the focus must be on women and writing, explicating the specific links between the woman writer and her work. Tulsa Studies particularly encourages work in feminist critical and literary theory.
Articles that introduce the work of unknown or lesser-known women writers or that provide new interpretations of works by well-known women writers must place the writer and her work in some larger literary, historical, political, or social framework and argue a thesis that encompasses more than a reading of a single text or several texts by a single author. Articles should be 6,000 to 9,000 words, excluding endnotes. Please also send an abstract of no more than 100-200 words.
Notes in Tulsa Studies need to present 1) new, factual material concerning a writer or her work; or 2) illuminate a problem of textual interpretation based on factual bibliographical or biographical information. Archives essays should be presented as bibliographies, descriptions of particular archives, or narratives of archival research. They should be limited to 1500-3000 words (see descriptions on p. 144 of Vol. 5, No. 1, and pp. 213-14 of Vol. 25, No. 2).
Tulsa Studies publishes both Book Reviews and Review Essays. Book Reviews are requested by the Book Review Editor. Review Essays are commissioned by the Editor.
All submissions to Tulsa Studies that meet the criteria detailed above receive a minimum of two readings: first, one or two readings by members of the Editorial Board and/or specialist readers, and then one by the Editor. Final decisions for publication rest with the Editor. All submissions must be in English; foreign-language quotations will be printed with accompanying English-language translations provided by the author. Tulsa Studies does not consider submissions that have been published or are under consideration elsewhere.
Tulsa Studies requests that electronic submissions be made as Microsoft Word attachments. Cover letters should be sent as a separate attachment. If preferred, an original and three copies of a paper manuscript may be submitted with a self-addressed envelope bearing postage sufficient for the return of one copy of the manuscript (U. S. postage only; manuscripts to international addresses cannot be returned). All submissions must use endnotes that conform to the most recent edition of The Chicago Manual of Style. Contributors are responsible for providing complete and accurate bibliographical documentation. Standard typeface is required on all texts. Submissions are given anonymous review. Contributors’ names should not appear on manuscripts (but rather on a cover letter and the abstract); authors may speak in the first person but should not identify themselves by name in the text of the essay or in the accompanying notes.
Address submissions to: Editor, Tulsa Studies in Women’s Literature, 800 S. Tucker Drive, Tulsa, OK 74104; or email@example.com. TSWL at the University of Tulsa holds copyright on all published materials.
Publishers may send review copies to the following address:
Attn: Book Review Editor
Tulsa Studies in Women’s Literature
University of Tulsa
800 South Tucker Drive
Tulsa, Oklahoma 74104
Current List of Books Received
Adopting America: Childhood, Kinship, and National Identity in Literature. By Carol J. Singley. Oxford: Oxford University Press, 2011.
Amy Levy: Critical Essays. Edited by Naomi Hetherington and Nadia Valman. Athens: Ohio University Press, 2010.
Another Part of a Long Story: Literary Traces of Eugene O’Neill and Agnes Boulton. By William Davies King. Ann Arbor: University of Michigan Press, 2010.
Between the Acts. By Virginia Woolf. Edited by Mark Hussey. Cambridge: Cambridge University Press, 2011.
California Women and Politics: From the Gold Rush to the Great Depression. Edited by Robert W. Cherny, Mary Ann Irwin, and Ann Marie Wilson. Lincoln: University of Nebraska Press, 2011.
The Cambridge Companion to African American Women’s Literature. 2nd ed. Edited by Angelyn Mitchell and Danille K. Taylor. Cambridge: Cambridge University Press, 2011.
The Cambridge Companion to Jane Austen. 2nd ed. Edited by Edward Copeland and Juliet McMaster. Cambridge: Cambridge University Press, 2011.
The Cambridge Companion to Modernist Women Writers. Edited by Maren Tova Linett. Cambridge: Cambridge University Press, 2010.
The Cambridge Companion to Twentieth-Century British and Irish Women’s Poetry. Edited by Jane Dowson. Cambridge: Cambridge University Press, 2011.
The Cambridge History of the American Novel. Edited by Leonard Cassuto, Clare Virginia Eby, and Benjamin Reiss. Cambridge: Cambridge University Press, 2011.
The Cambridge Introduction to Margaret Atwood. By Heidi Slettedahl Macpherson. Cambridge: Cambridge University Press, 2010.
Canadian Women in Print, 1750-1918. By Carole Gerson. Waterloo, ON: Wilfrid Laurier University Press, 2010.
Charlotte Perkins Gilman: New Texts, New Contexts. Edited by Jennifer S. Tuttle and Carol Farley Kessler. Columbus: Ohio State University Press, 2011.
Clarissa: An Abridged Edition. By Samuel Richardson. Edited by Toni Bowers and John Richetti. Peterborough, ON: Broadview Press, 2011.
The Complete Short Stories of Natalia Ginzburg. Translated by Paul Lewis. Toronto: University of Toronto Press, 2011.
Contemporary Women Writers Look Back. By Alice Ridout. London: Continuum, 2010.
Cornelia James Cannon and the Future American Race. By Maria I. Diedrich. Amherst: University of Massachusetts Press, 2010.
The Correspondence and Journals of the Thackeray Family. 5 vols. Edited by John Aplin. London: Pickering and Chatto, 2011.
The Creative Crone: Aging and the Poetry of May Sarton and Adrienne Rich. By Sylvia Henneberg. Columbia: University of Missouri Press, 2010.
Crossing the Creek: The Literary Friendship of Zora Neale Hurston and Marjorie Kinnan Rawlings. By Anna Lillios. Gainesville: University Press of Florida, 2010.
Dancing with Mr. Darcy: Stories Inspired by Jane Austen and Chawton House. Compiled and with an introduction by Sarah Waters. New York: Harper, 2010.
Derrida and Antiquity. Edited by Miriam Leonard. Oxford: Oxford University Press, 2010.
Domestic Broils: Shakers, Antebellum Marriage, and the Narratives of Mary Joseph Dyer. Edited and with an introduction by Elizabeth A. De Wolfe. Amherst: University of Massachusetts Press, 2010.
Doris Lessing: Interrogating the Times. Edited by Debrah Raschke, Phyllis Sternberg Perrakis, and Sandra Singer. Columbus: Ohio State University Press, 2010.
Echo & Lightning: Poems. By Sheila Packa. Duluth, MN: Wildwood River Press, 2010.
The Edinburgh Companion to Virginia Woolf and the Arts. Edited by Maggie Humm. Edinburgh: Edinburgh University Press, 2010.
Edith Wharton’s “The Custom of the Country”: A Reassessment. Edited by Laura Rattray. London: Pickering and Chatto, 2010.
Emma Darwin: A Victorian Life. By James D. Loy and Kent M. Loy. Gainesville: University Press of Florida, 2010.
Emma Wolf’s Short Stories in “The Smart Set.” Edited by Barbara Cantalupo. Brooklyn: AMS Press, 2010.
An Englishwoman in California: The Letters of Catherine Hubback, 1871-76. Edited by Zoë Klippert. Oxford: Bodleian Library, 2010.
Epistles on Women and Other Works. By Lucy Aikin. Edited by Anne K. Mellor and Michelle Levy. Peterborough, ON: Broadview Press, 2011.
Familial Forms: Politics and Genealogy in Seventeenth-Century English Literature. By Erin Murphy. Newark: University of Delaware Press, 2011.
Feminism, Literature and Rape Narratives: Violence and Violation. Edited by Sorcha Gunne and Zoë Brigley Thompson. New York: Routledge, 2010.
Fictions of Dissent: Reclaiming Authority in Transatlantic Women’s Writing of the Late Nineteenth Century. By Sigrid Anderson Cordell. London: Pickering and Chatto, 2010.
Fireflies in the Mist. By Qurratulain Hyder. New York: New Directions, 2008.
First Laugh: Essays, 2000-2009. By Margaret Randall. Lincoln: University of Nebraska Press, 2011.
Flannery O’Connor in the Age of Terrorism: Essays on Violence and Grace. Edited by Avis Hewitt and Robert Donahoo. Knoxville: University of Tennessee Press, 2010.
Force or Fraud: British Seduction Stories and the Problem of Resistance, 1660-1760. By Toni Bowers. Oxford: Oxford University Press, 2011.
Glamour: Women, History, Feminism. By Carol Dyhouse. London: Zed Books, 2010.
Graphic Women: Life Narrative and Contemporary Comics. By Hillary L. Chute. New York: Columbia University Press, 2010.
Hatred and Forgiveness. By Julia Kristeva. Translated by Jeanine Herman. New York: Columbia University Press, 2010.
Her America: “A Jury of Her Peers” and Other Stories. Edited by Patricia L. Bryan and Martha C. Carpentier. Iowa City: University of Iowa Press, 2010.
Iris Murdoch: A Writer at War, Letters and Diaries, 1939-1945. Edited by Peter J. Conradi. Oxford: Oxford University Press, 2009.
Is It Just? A Classic Feminist Novel. By Minnie Smith. Toronto: University of Toronto Press, 2011.
La Sexualidad Femenina: Reconceptualización surrealista y postmoderna por Cristina Escofet e Isabel Allende. By Zoila Clark. Lanham, MD: University Press of America, 2010.
A Literary Paris: Hemingway, Colette, Sedaris, and Others on the Uncommon Lure of the City of Lights. Edited by Jamie Cox Robertson. Avon, MA: Adams Media, 2010.
Living Ideas: A Memoir of the Tumultuous Founding of Berkeley Women’s Studies. By Gloria Bowles. Dexter, MI: Thomson-Shore, 2009.
Masters of the Marketplace: British Women Novelists of the 1750s. Edited by Susan Carlile. Bethlehem, PA: Lehigh University Press, 2011.
The Memoirs of Miss Sidney Bidulph. By Frances Sheridan. Edited by Heidi Hunter and Nicole Garret. Peterborough, ON: Broadview Press, 2011.
Modernist Short Fiction by Women: The Liminal in Katherine Mansfield, Dorothy Richardson, May Sinclair and Virginia Woolf. By Claire Drewery. Burlington, VT: Ashgate, 2011.
Modernity, Sexuality, and Ideology in Iran: The Life and Legacy of a Popular Female Artist. By Kamran Talattof. Syracuse, NY: Syracuse University Press, 2011.
Motherlove in Shades of Black: The Maternal Psyche in the Novels of African American Women. By Gloria Thomas Pillow. Jefferson, NC: McFarland, 2010.
The Murderess. By Alexandros Papadiamantis. Translated by Peter Levi. New York: New York Review Books, 1983.
My Love Has Fared Inland. By Medbh McGuckian. Winston-Salem, NC: Wake Forest University Press, 2010.
Naked, Drunk, and Writing: Shed Your Inhibitions and Craft a Compelling Memoir or Personal Essay. By Adair Lara. Berkeley: Ten Speed Press, 2010.
The Natural Philosophy of Margaret Cavendish: Reason and Fancy During the Scientific Revolution. By Lisa T. Sarasohn. Baltimore: Johns Hopkins University Press, 2010.
Nature’s Aristocracy: A Plea for the Oppressed. By Jennie Collins. Edited and with an introduction by Judith A. Ranta. Lincoln: University of Nebraska Press, 2010.
Neodomestic American Fiction. By Kristin J. Jacobson. Columbus: Ohio State University Press, 2010.
New Woman Fiction, 1881-1899. Vols. 4, 5, and 6. Edited by Carolyn W. de la L. Oulton. London: Pickering and Chatto, 2010.
Nomadic Subjects: Embodiment and Sexual Difference in Contemporary Feminist Theory. By Rosi Braidotti. New York: Columbia University Press, 2011.
The Notorious Dr. Flippin: Abortion and Consequence in the Early Twentieth Century. By Jamie Q. Tallman. Lubbock: Texas Tech University Press, 2011.
Observations on the Real Rights of Women and Other Writings. By Hannah Mather Crocker. Edited by Constance J. Post. Lincoln: University of Nebraska Press, 2011.
“The Original Explosion That Created Worlds”: Essays on Werewere Liking’s Art and Writings. Edited by John Conteh-Morgan and Irène Assiba d’Almeida. Amsterdam: Rodopi, 2010.
The Other Dickens: A Life of Catherine Hogarth. By Lillian Nayder. Ithaca: Cornell University Press, 2011.
Pens and Needles: Women’s Textualities in Early Modern England. By Susan Frye. Philadelphia: University of Pennsylvania Press, 2010.
Pink Pirates: Contemporary American Women Writers and Copyright. By Caren Irr. Iowa City: University of Iowa Press, 2010.
Playing Smart: New York Women Writers and Modern Magazine Culture. By Catherine Keyser. New Brunswick, NJ: Rutgers University Press, 2010.
Poets at Play: An Anthology of Modernist Drama. Edited by Sarah Bay-Cheng and Barbara Cole. Selinsgrove, PA: Susquehanna University Press, 2010.
Post-War British Women Novelists and the Canon. By Nick Turner. London: Continuum Press, 2010.
Practicing Medicine in a Black Regiment: The Civil War Diary of Burt G. Wilder, 55th Massachusetts. Edited by Richard M. Reid. Amherst: University of Massachusetts Press, 2010.
The Ravishing Restoration: Aphra Behn, Violence, and Comedy. By Ann Marie Stewart. Selinsgrove, PA: Susquehanna University Press, 2010.
The Sacred White Turkey. By Frances Washburn. Lincoln: University of Nebraska Press, 2010.
S´ akuntalaˉ : Texts, Readings, Histories. By Romila Tharpar. New York: Columbia University Press, 2010.
Sandra Cisnero’s “Woman Hollering Creek.” Edited by Cecilia Donohue. New York: Rodopi, 2010.
The Scent of the Gods. By Fiona Cheong. Edited by Leslie Bow. Urbana: University of Illinois Press, 2010.
Seeds of Change: Critical Essays on Barbara Kingsolver. Edited by Priscilla Leder. Knoxville: University of Tennessee Press, 2010.
Shame the Devil. By Debra Brenegan. Albany: State University of New York Press, 2011.
Sister Arts: The Erotics of Lesbian Landscapes. By Lisa L. Moore. Minneapolis: University of Minnesota Press, 2011.
Spindrift. By Vona Groarke. Winston-Salem, NC: Wake Forest University Press, 2010.
Stevie Smith and Authorship. By William May. Oxford: Oxford University Press, 2010.
The Stronger Sex: The Fictional Women of Lawrence Durrell. By James R. Nichols. Madison, NJ: Fairleigh Dickinson University Press, 2011.
Style, Gender, and Fantasy in Nineteenth-Century American Women’s Writing. By Dorri Beam. Cambridge: Cambridge University Press, 2010.
The Sun-Fish. By Eiléan Ní Chuilleanáin. Winston-Salem, NC: Wake Forest University Press, 2010.
Sylvia Plath’s Fiction: A Critical Study. By Luke Ferretter. Edinburgh: Edinburgh University Press, 2010.
Teaching British Women Playwrights of the Restoration and Eighteenth Century. Edited by Bonnie Nelson and Catherine Burroughs. New York: The Modern Language Association of America, 2010.
The Theatricality of Mary Wroth’s “Pamphilia to Amphilanthus”: Unmasking Conventions in Context. By Susan Lauffer O’Hara. Selinsgrove, PA: Susquehanna University Press, 2011.
The Three Fates. By Linda Lê. Translated by Mark Polizzotti. New York: New Directions Books, 2010.
Touch. By Adania Shibli. Translated by Paula Haydar. Northampton, MA: Clockroot Books, 2010.
Treacherous Texts: U. S. Suffrage Literature, 1846-1946. Edited by Mary Chapman and Angela Mills. New Brunswick, NJ: Rutgers University Press, 2011.
Unassimilable Feminisms: Reappraising Feminist, Womanist, and Mestiza Identity Politics. By Laura Gillman. New York: Palgrave Macmillan, 2010.
An Uncommon Heroine: Scarlett, Edna, Sula and More than 20 Other of the Most Remarkable Women in Literature. By Jamie Cox Robertson. Avon, MA: Adams Media, 2010.
Uneasy Possessions: The Mother-Daughter Dilemma in French Women’s Writing, 1671-1928. By Katharine Ann Jensen. Newark: University of Delaware Press, 2011.
Untangle the Knots Within: A Woman’s Passage to Find Answers to Her Sister’s Death in Police Custody. By Cynthia M. Andersen. Bloomington, IN: AuthorHouse, 2009.
The Vintage Book of American Women Writers. Edited by Elaine Showalter. New York: Vintage Books, 2011.
Virginia Broughton: The Life and Writings of a National Baptist Missionary. Edited by Tomeiko Asford Carter. Knoxville: University of Tennessee Press, 2010.
Virginia Woolf and the Politics of Language. By Judith Allen. Edinburgh: Edinburgh University Press, 2010.
Virginia Woolf and the Problem of the Subject: Feminine Writing in the Major Novels. By Makiko Mino-Pinkney. Edinburgh: Edinburgh University Press, 2010.
When a Tree Falls. By Beatriz Rivera. Houston: Arte Público Press, 2010. Wit’s End: Women’s Humor as Rhetorical and Performative Strategy. By Sean Zwagerman. Pittsburgh: University of Pittsburgh Press, 2010.
Women’s Authorship and Editorship in Victorian Culture: Sensational Strategies. By Beth Palmer. Oxford: Oxford University Press, 2011.
Women Writers of the American West, 1833-1927. By Nina Baym. Champaign: University of Illinois Press, 2011.
Write that Book Already! The Tough Love You Need to Get Published Now. Edited by Sam Barry and Kathi Kamen Goldmark. Avon, MA: Adams Media, 2010.
Zora Neale Hurston: A Biography of the Spirit. By Deborah G. Plant. Lanham, MD: Rowman and Littlefield, 2007.