Articles, Fall 2014, Vol. 33, No. 2

Shrew(d) Maternities, Elizabeth Cary’s Life, and Filial Equivocations, 23-50 [abstract]
Elizabeth Ann Mackay

Archipelagic Coterie Space: Katherine Philips and Welsh Women’s Writing, 51-76 [abstract]
Sarah Prescott

“Kitchen Queens” and “Tributary Housekeepers”: Irish Servant Stories in Nineteenth-Century Women’s Magazine Fiction, 77-101 [abstract]
Christine Palumbo-DeSimone

The Anxious Lives of Clever Girls: The University Novels of Margaret Drabble, A. S. Byatt, and Hilary Mantel, 103-121 [abstract]
Mary Eagleton

Robin Morgan, Jane Alpert, and Feminist Satire, 123-150 [abstract]
Elizabeth Hedrick

“what I know I cannot know, I must not forget”: Intimations of Alterity in Anna Rabinowitz’s Darkling, 151-178 [abstract]
Claudia Ingram

Zadie Smith On Beauty, Youth, and Aging, 179-202 [abstract]
Colleen Fenno

Articles, Fall 2013/Spring 2014, Vol. 32, No. 2/Vol. 33, No. 1

Virtual Cancer: BRCA and Posthuman Narratives of Deleterious Mutation, 25-45 [abstract]
Diane Price Herndl

Emplotted Bodies: Breast Cancer, Feminism, and the Future, 47-70 [abstract]
Emily Waples

Valid/Invalid: Women’s Cancer Narratives and the Phenomenology of Bodily Alteration, 71-87 [abstract]
Jane E. Schultz

“This is how we live”: Witnessing and Testimony in BRCA Memoirs, 89-105 [abstract]
Amy Boesky

“Less Than Perfect”: Negotiating Breast Cancer in Popular Romance Novels, 107-128 [abstract]
Melissa F. Zeiger

“Is Anybody Paying Attention?”: Breast Cancer on Stage in the Twenty-first Century, 129-146 [abstract]
Marta Fernández-Morales

Cancer Comics: Narrating Cancer through Sequential Art, 147-162 [abstract]
Martha Stoddard Holmes

Onco-Filmographics: The Politics and Affects of the Canadian Breast Cancer Documentary, 163-187 [abstract]
Eva C. Karpinski

Willful Vulnerability: Generous Offerings in Cancer in Two Voices and The Century Project, 189-217 [abstract] 
Michelle Peek

Living Breast Cancer: The Art of Hollis Sigler, 219-239 [abstract]
Laura E. Tanner

Articles, Spring 2013, Vol. 32, No. 1

New Work on Virginia Woolf’s Nonfiction:

Wartime Cosmopolitanism: Cosmofeminism in Virginia Woolf’s Three Guineas and Marjane Satrapi’s Persepolis, 23-52 [abstract]
Susan Stanford Friedman

“Unsolved Problems”: Essayism, Counterfactuals, and the Futures of A Room of One’s Own, 53-73 [abstract]
Randi Saloman

Late Victorian and Modern Feminist Intertexts: The Strachey Women in A Room of One’s Own and Three Guineas, 75-98 [abstract]
Kathryn Holland

Girls in Bonds: Prehensile Place and the Domestic Gothic in L. M. Montgomery’s Short Fiction, 99-117 [abstract]
Christiana Salah

“No proper feeling for her house”: The Relational Formation of White Womanliness in Shirley Jackson’s Fiction, 119-141 [abstract]
Alexis Shotwell

Reimagining Migration through the Act of Writing in Anglophone Caribbean Women’s Narrative, 143-158 [abstract]
Alisa K. Braithwaite

“Sisters separated for much too long”: Women’s Friendship and Power in Toni Morrison’s “Recitatif”, 159-180 [abstract]
Susana M. Morris

Articles, Spring/Fall 2012, Vol. 31, Nos. 1/2

Neither Single nor Alone: Elizabeth Cellier, Catholic Community, and Transformations of Catholic Women’s Piety, 33-52 [abstract]
Lisa McClain

Catharine Trotter and the Claims of Conscience, 53-75 [abstract]
Joanne E. Myers

Of Her Making: The Cultural Practice of Mary, 9th Duchess of Norfolk, 77-98 [abstract]
Clare Haynes

“A distribution of tyme”: Reading and Writing Practices in the English Convents in Exile, 99-116 [abstract]
Caroline Bowden

“All the World have heard of the Devil and the Pope”: Elizabeth Inchbald’s The Mogul Tale and English Catholic Satire, 117-136 [abstract]
Michael Tomko

Regina Maria Roche’s The Children of the Abbey: Contesting the Catholic Presence in Female Gothic Fiction, 137-158 [abstract]
Diane Long Hoeveler

“Penance and mortification for ever”: Jane Austen and the Ambient Noise of Catholicism, 159-180 [abstract]
Beth Kowaleski Wallace

Articles, Fall 2011, Vol. 30, No. 2

“Connections, which are of service … in a more advanced age”: The Lady’s Magazine , Community, and Women’s Literary Histories, 245-267 [abstract]
Jennie Batchelor

“The Character of Editress”: Marian Evans at the Westminster Review, 1851-54, 269-290 [abstract]
Fionnuala Dillane

The Anatomy of Complicity: Rebecca Harding Davis, Peterson’s Magazine, and the Civil War, 291-315 [abstract]
Sharon M. Harris

Expanding Woolf’s Gift Economy: Consumer Activity Meets Artistic Production in The Dial, 317-342 [abstract]
Amanda Sigler

Tears on Trial in the 1920s: Female Emotion and Style in Chicago and Machinal, 343-369 [abstract]
Jean Marie Lutes

A Chameleonic Character: Celebrity, Embodiment, and the Performed Self in Cornelia Otis Skinner’s Magazine Monologues, 371-392 [abstract]
Jamie Libby Boyle

From a Tarantula on a Banana Boat to a Canary in a Mine: Ms. Magazine as a Cautionary Tale in a Neoliberal Age, 393-405 [abstract]
Amy Erdman Farrell

Articles, Spring 2011, Vol. 30, No. 1

An Arab Woman Poet as a Crossover Artist? Reconsidering the Ambivalent Legacy of Al-Khansaʾ, 15-36 [abstract]
Michelle Hartman

Anne Finch, Restoration Playwright, 37-56 [abstract]
Diana Solomon

A Creole Contagion: Narratives of Slavery and Tainted Wealth in Millenium Hall, 57-70 [abstract],
Nicolle Jordan

Writing the Eighteenth-Century Household: Leapor, Austen, and the Old Feudal Spirits, 71-91 [abstract],
Elizabeth Veisz

Elizabeth Barrett Browning’s Dog Days, 93-115 [abstract]
Kevin A. Morrison

“This posthumous life of mine”: Tragic Overliving in the Plays of Marina Carr, 117-139 [abstract]
Kelly A. Marsh

Casting the Bones of Willa Mae Beede: Passing and Performativity in Suzan-Lori Parks’s Getting Mother’s Body, 141-157 [abstract]
Laura Wright

Articles, Spring 2010, Vol. 29, No. 1

Anita Brookner in the World

Introduction: Anita Brookner in the World, 15-18
Phyllis Lassner, Ann V. Norton, and Margaret D. Stetz

Anita Brookner Reads Edith Wharton and Henry James: The Problem of Moral Imagination, 19-33 [abstract]
Ann V. Norton

Anita Brookner’s Visual World, 35-46 [abstract],
Margaret D. Stetz

Exiles from Jewish Memory: Anita Brookner’s Anglo-Jewish Aesthetic, 47-61 [abstract],
Phyllis Lassner

“Opening the Door”: The Hogarth Press as Virginia Woolf’s Outsiders’ Society, 63-81 [abstract]
Ursula McTaggart

Constitutive Trauma in Edna O’Brien’s The Country Girls Trilogy: The Romance of Reenactment, 83-105 [abstract]
Elizabeth Weston

A Woman Playwright’s Revision of a Legendary Epic: Zeynep Avcı’s Gilgamesh, 107-123 [abstract]
Pürnur Uçar-Özbirinci

Articles, Fall 2010, Vol. 29, No. 2

At the Margins of Menippean Dialogue: Sarah Fielding’s “History of Anna Boleyn” and the Muted Female Figures of Lucian’s Satiric Underworld, 263-289 [abstract]
Elizabeth Goodhue

The Difference She Makes: Staging Gender Identity in Graffigny’s Phaza, 291-309 [abstract]
Heidi Bostic

“There is no sin in our love”: Homoerotic Desire in the Stories of Two Muslim Women Writers, 311-329 [abstract]
Indrani Mitra

Speaking (in) the Silences: Gender and Anti-Narrative in Carole Maso’s Defiance, 331-349 [abstract]
Robin Silbergleid

Uneasy Lie the Bones: Alice Sebold’s Postfeminist Gothic, 351-373 [abstract]
Sarah Whitney

“Painting While Rome Burns”: Ethics and Aesthetics in Pat Barker’s Life Class and Zadie Smith’s On Beauty, 375-393 [abstract]
Fiona Tolan

“Female Poet” as Revolutionary Grotesque: Feminist Transgression in the Poetry of Ch’oe Sŭng-ja, Kim Hyesoon, and Yi Yŏn-ju, 395-415 [abstract]
Ruth Williams

Articles, Fall 2009, Vol. 28, No. 2

Race, Reproduction, and the Failures of Feminism in Mary Bradley Lane’s Mizora, 247-266 [abstract]
Katherine Broad

“Structure Would Equal Meaning”: Blues and Jazz Aesthetics in the Fiction of Nella Larson, 267-289 [abstract]
Lori Harrison-Kahan

“Bleach[ed] Brotherhood”: Race, Consumer Advertising, and Lorine Niedecker’s Lyric, 291-313 [abstract]
Elizabeth Savage

Border Crossings: Women, Race, and Othello in Gayl Jones’s Mosquito, 315-336 [abstract]
Joyce Green MacDonald

Hairitage: Women Writing Race in Children’s Literature, 337-355 [abstract]
Dianne Johnson

Articles, Spring 2009, Vol. 28, No. 1

The Letter and the Law, or How Caroline Norton (Re)Wrote Female Subjectivity, 37-55 [abstract]
Nicole Fluhr

Placing the Margins: Literary Reviews, Pedagogical Practices, and the Canon of Victorian Women’s Writing, 57-74 [abstract]
Cheryl A. Wilson

“So Many Useful Women”: The Pseudonymous Poetry of Marjorie Allen Seiffert, 1916-1938, 75-96 [abstract]
Audrey Russek

English Lesbians and Irish Devotion: The Manipulation of Sexual Discourse in Molly Keane’s The Rising Tide, 97-119 [abstract]
Catherine Bacon

“Oh! You Beautiful Doll!”: Icon, Image, and Culture in Works by Alvarez, Cisneros, and Morrison, 121-139 [abstract]
Trinna S. Frever

Intervening in Trauma: Bodies, Violence, and Interpretive Possibilities in Vyvyane Loh’s Breaking the Tongue, 141-163 [abstract]
Sally E. McWilliams

Mary Wollstonecraft Sojourner Truth Margaret Atwood Abigail Adams Amy Tan H.D. Simone de Beauvoir Zora Neale Hurston Frances Burney Virginia Woolf

"The white saxifrage with the indented leafe is moste commended for the breakinge of the Stone."

— Turner, Herbal, III, 68 [1568]