Consuming Passions: Reconciliation in Women’s Intellectual Memior, 13-28
Gillian Whitlock
Cross-Dress for Success: Performing Ivan Heng and Chowee Leow’s An Occasional Orchid and Stella Kon’s Emily of Emerald Hill on the Singapore Stage, 29-43
Kenneth Chan
‘Personalized Writing’ and Its Enthusiastic Critic: Women and Writing of the Chinese ‘Post-New Era.’, 45-64
Yi Zheng
Literary Regionalism and Global Capital: Nineteenth-Century U.S. Women Writers, 65-89
Marjorie Pryse
Contingencies of Dispersed Identity in Lydia Minatoya’s The Strangeness of Beauty, 91-105
Jane Lilienfield
Women Writers, Global Migration, and the City: Joan Riley’s Waiting in the Twilight and Hanan Al-Shaykh’s Only in London, 107-120
Susan Alice Fischer
Drag and the Politics of Identity and Desire in Singapore Theatre: A Conversation with Ivan Heng, 121-134
Kenneth Chan
