From Voice to Persona: Amelia Welby’s Lyric Tradition in Sarah M. B. Piatt’s Early Poetry, 223-246
Susan Grove Hall

(Re)gendering Petrarch: Elizabeth Barret Browning’s Sonnets from the Portuguese, 247-266
Marianne Van Remoortel

‘Presumption’ and ‘Unlearning’: Reading Muriel Rukeyser’s ‘The Book of the Dead’ as a Woman’s American Epic, 267-289
Jenny Goodman

Romance and Revolution: Reading Women’s Narratives of Caribbean Decolonization, 291-306
Kevin Meehan

Transnational, Transcultural Feminisms? Amma Darko’s Response in Beyond the Horizon, 307-322
MaryEllen (Ellie) Higgins

Jewish Gender Trouble: Women Writing Men of Valor, 323-334
Helene Meyers

On Fairy Tales, Their Sensitive Characters, and The Sensible Readers They Create, 13-30
Christine A. Jones

‘Miserable Reflections on the Sorrows of My Life’: Letters, Loneliness, and Gardening in the 1760s, 31-47
Stephen Bending

‘Sympathetic Curiosity’: The Theater of Joanna Baillie, 49-70
Barbara Judson

Romancing the Sublime: Why Mary Wollstonecraft Fell in Love With That Cad, Gilbert Imlay, 71-91
Cynthia D. Richards

‘The Medicine of Sympathy’: Mothers, Sons, and Affective Pedagogy in Antebellum America, 93-115
Ken Parille

Vernon Lee’s Art of Feeling, 117-139
Joseph Bristow

Women, Animals, and Jane Goodall: Reason for Hope, 141-151
Marianne DeKoven

Introduction, 219-222
Susan Gubar

The Invisible Woman in the Academy: Or, Murder Still Without a Text, 223-229
Alice Jardine

On Emancipatory Legacies: A Séance, 231-240
Christine Froula

Remarks in Honor of Carolyn Heilbrun, 241-245
Sara Paretsky

The Supple Suitor: Death, Women, Feminism, and (Assisted or Unassisted) Suicide, 247-525
Sandra M. Gilbert

The Mysterious Life of Kate Fansler, 257-264
Susan Kress

Tenured Death, 265-268
Nina Auerbach

We Think Back Through Carolyn Heilbrun If We Are Women, 269-274
Molly Hite

Death Unmanned, 275-282
Gail Holst-Warhaft

Performing Age, Performing Gender: The Legacy of Carolyn Heilbrun, 283-290
Kathleen Woodward

Domestic Politics: Gender, Protest, and Elizabeth Barret Browning’s Poems before Congress, 291-317
Katherine Montwieler

There Was a World of Things . . . and a World of Words”: Narration of Self through Object in Sylvia Townsend Warner’s Scenes of Childhood, 319-339
Kristianne Kalata

‘Counterfeit Colour’: Making Up Race in Elizabeth Cary’s The Tragedy of Mariam, 13-34
Kimberly Woosley Poitevin

‘In This Strang Labourinth, How Shall I Turne?’: Needlework, Gardens, and Writing in Mary Wroth’s Pamphilia to Amphilanthus, 35-55
Jennifer Munroe

‘I Recognized Myself in Her’: Identifying with the Reader in George Eliot’s The Mill on the Floss and Simone de Beauvoir’s Memoirs of a Dutiful Daughter, 57-79
Laura Green

‘The Pleas of the Desperate’: Collective Agency Versus Magical Realism in Ana Castillo’s So Far From God, 81-103
Marta Caminero-Santangelo

The Neodomestic American Novel: The Politics of Home in Barbara Kingsolver’s The Poisonwood Bible, 105-127
Kristin J. Jacobson

Bread and Brandy: Food and Drink in the Poetry of Marilyn Hacker, 129-150
Mary Biggs

Bodies on the Move: A Poetics of Home and Diaspora, 189-212
Susan Stanford Friedman

Producing Feminine Virtue: Strategies of Terror in Writings by Madame de Genlis, 213-236
Lesley H. Walker

‘Cousins in Love, &c.’ in Jane Austen, 237-259
Mary Jean Corbett

‘Narrat[ing] Some Poor Little Fable’: Evidence of Bodily Pain in The History of Mary Prince and ‘Wife-Torutre in England.’, 261-281
Janice Schroeder

Conflict and Ambiguity in Victorian Women’s Writing: Eliza Lynn Linton and the Possibilities of Agnosticism, 283-310
Sarah J. Bliston

Lorine Niedecker, Simone de Beauvoir, and the Sexual Ethics of Experience, 311-337
Matthew G. Jenkins

Re-membering Cassandra, or Oedipus Gets Hysterical: Contestatory Madness and Illuminating Magic in Angela Carter’s Nights at the Circus, 339-369
Jennifer Gustar

Consuming Passions: Reconciliation in Women’s Intellectual Memior, 13-28
Gillian Whitlock

Cross-Dress for Success: Performing Ivan Heng and Chowee Leow’s An Occasional Orchid and Stella Kon’s Emily of Emerald Hill on the Singapore Stage, 29-43
Kenneth Chan

‘Personalized Writing’ and Its Enthusiastic Critic: Women and Writing of the Chinese ‘Post-New Era.’, 45-64
Yi Zheng

Literary Regionalism and Global Capital: Nineteenth-Century U.S. Women Writers, 65-89
Marjorie Pryse

Contingencies of Dispersed Identity in Lydia Minatoya’s The Strangeness of Beauty, 91-105
Jane Lilienfield

Women Writers, Global Migration, and the City: Joan Riley’s Waiting in the Twilight and Hanan Al-Shaykh’s Only in London, 107-120
Susan Alice Fischer

Drag and the Politics of Identity and Desire in Singapore Theatre: A Conversation with Ivan Heng, 121-134
Kenneth Chan

Editing Early Modern Women Writers

‘And Thus Leave Off’: Reevaluating Mary Wroth’s Folger Manuscript, V.a.104, 273-291
Heather Dubrow

Terrible Texts, ‘Marginal’ Works, and the Mandate of the Moment: The Case of Eliza Haywood, 293-314
Alexander Pettit

Confined and Exposed: Elizabeth Carter’s Classical Translations, 315-334
Jennifer Wallace

‘I am Equally Weary of Confinement’: Women Writers and Rasselas from Dinarbus to Jane Eyre, 335-356
Jessica Richard