Articles, Fall 2010, Vol. 29, No. 2

At the Margins of Menippean Dialogue: Sarah Fielding’s “History of Anna Boleyn” and the Muted Female Figures of Lucian’s Satiric Underworld, 263-289 [abstract]
Elizabeth Goodhue

The Difference She Makes: Staging Gender Identity in Graffigny’s Phaza, 291-309 [abstract]
Heidi Bostic

“There is no sin in our love”: Homoerotic Desire in the Stories of Two Muslim Women Writers, 311-329 [abstract]
Indrani Mitra

Speaking (in) the Silences: Gender and Anti-Narrative in Carole Maso’s Defiance, 331-349 [abstract]
Robin Silbergleid

Uneasy Lie the Bones: Alice Sebold’s Postfeminist Gothic, 351-373 [abstract]
Sarah Whitney

“Painting While Rome Burns”: Ethics and Aesthetics in Pat Barker’s Life Class and Zadie Smith’s On Beauty, 375-393 [abstract]
Fiona Tolan

“Female Poet” as Revolutionary Grotesque: Feminist Transgression in the Poetry of Ch’oe Sŭng-ja, Kim Hyesoon, and Yi Yŏn-ju, 395-415 [abstract]
Ruth Williams

Mary Wollstonecraft Sojourner Truth Margaret Atwood Abigail Adams Amy Tan H.D. Simone de Beauvoir Zora Neale Hurston Frances Burney Virginia Woolf

"The white saxifrage with the indented leafe is moste commended for the breakinge of the Stone."

— Turner, Herbal, III, 68 [1568]