Reviews, Spring 2003, Vol. 22, No. 1

Feminism Beyond Modernism, by Elizabeth A. Flynn, 203-206
Margaret D. Stetz

Melanie Klein, by Julia Kristeva, 206-209
J. M. Baker, Jr.

Rethinking Women’s Collaborative Writing: Power, Difference, Propery, by Lorraine York, 209-211
Janice Doan and Devon Hodges

Influencing America’s Tastes: Realism in the Works of Wharton, Cather and Hurst, by Stephanie Lewis Thompson, 211-214
Michael H. Berglund

Jane Austen and the Theatre, by Penny Gay, 214-216
Maria H. Frawley

Suniti Namjoshi: The Artful Transgressor, by C. Vijayasree, 216-217
Ruth Vanita

Remapping the Home Front: Locating Citizenship in British Women’s Great War Fiction, by Debra Rae Cohen, 218-219
Geneviève Brassard

Eat My Words: Reading Women’s Lives Through the Cookbooks They Wrote, by Janet Theophano, 220-221
Patricia Moran

Reviews, Fall 2002, Vol. 21, No. 2

Imagining Adoption: Essays on Literature and Culture, edited by Marianne Novy, 393-395
J. M. Baker, Jr.

Doing Time: Feminist Theory and Postmodern Culture, by Rita Felski, 396-399
Jennifer L. Fleissner

British Women’s Comic Fiction, 1890-1990: Not Drowning, But Laughing, by Margaret D. Stetz; Women, Modernism, and British Poetry, 1910-1939: Resisting Femininity, by Jane Dowson, 399-402
Laura Severin

Contemporary Women’s Poetry: Reading/Writing/Practice, edited by Alison Mark and Deryn Rees-Jones, 402-404
Steven Gould Axelrod

A Gendered Collision: Sentimentalism and Modernism in Dorothy Parker’s Poetry and Fiction, by Rhonda S. Pettit, 404-405
Suzanne L. Bunkers

Staging Domesticity: Household Work and English Identity in Early Modern Drama, by Wendy Wall, 405-407
Nancy Bunker

Feminist Metafiction and the Evolution of the British Novel, by Joan Douglas Peters, 407-409
Theresa Braunschneider

Home Matters: Longing and Belonging, Nostalgia and Mourning in Women’s Fiction, Roberta Rubinstein, 410-411
Pauline T. Newton

Spiritual Interrogations: Culture, Gender, and Community in Early African American Women’s Writing, by Katherine Clay Bassard, 411-414
Katy L. Chiles

Reviews, Spring 2002, Vol. 21, No. 2

Women’s Writing of the First World War: An Anthology, edited by Angela K. Smith; The Second Battlefield: Women, Modernism, and the First World War, by Angela K. Smith, 123-128
Geneviève Brassard

Lesbian Empire: Radical Crosswriting in the Twenties, by Gay Wachman, 128-129
Robin Hackett

Feminism and Film, edited by E. Ann Kaplan, 129-133
Jeffrey S. Longacre

The Language of Inquiry, by Lyn Hejinian, 133-136
Lynn Keller

Traditions of Victorian Women’s Autobiography: The Poetics and Politics of Life Writing, by Linda H. Peterson, 137-140
Carol Hanbery MacKay

The Bitch is Back: Wicked Women in Literature, by Sarah Appleton Aguiar, 140-142
Elizabeth McGeachy Mills

Advancing Sisterhood? Interracial Friendships in Contemporary Southern Fiction, by Sharon Monteith, 142-144
Ivy Schweitzer

Reviews, Fall 2001, Vol. 20, No. 2

Sisters and Rivals in British Women’s Fiction, 1914-39, by Diana Wallace, 297-298
Tess Cosslett

Women Coauthors, by Holly A. Laird, 298-300
George E. Haggerty

Auto/Biographical Discourses: Theory, Criticism, and Practice, by Laura Marcus, 300-301
Mary Jean Corbett

Willa Cather: The Writer and Her World, by Janis P. Stout; Willa Cather’s New York: New Essays on Cather in the City, edited by Merrill Maguire Skaggs, 301-305
Linda E. Chown

Jane Barker, Exile: A Literary Career, 1675-1725, by Kathryn R. King, 305-307
Josephine Donovan

Gender Matters: Female Policymakers’ Influence in Industrialized Nations, by Valerie O’Regan, 307-308
Renee A. Miller

Against Amnesia: Contemporary Women Writers and the Crisis of Historical Memory, by Nancy J. Peterson, 309-311
Lois Parkinson Zamora

Reviews, Spring 2001, Vol. 20, No. 1

Dirt and Desire: Reconstructing Southern Women’s Writing, 1930-1990, by Patricia Yaeger, 137-139
Tammy Evans

The Life of Marie d’Agoult, Alias Daniel Stern, by Phyllis Stock-Morton, 140-141
Kathryn J. Crecelius

Women in the Milieu of Leonard and Virginia Woolf: Peace, Politics, and Education edited by Wayne K. Chapman and Janet M. Manson, 141-146
Eileen Barrett

Shattered Subjects: Trauma and Testimony in Women’s Life-Writing, by Suzette Henke, 146-147
Sara Blair

The Aesthetics of Toni Morrison: Speaking the Unspeakable, edited by Marc C. Conner, 148-150
Althea Tait

Reviews, Fall 2000, Vol. 19, No. 2

Dancing at the Devil’s Party: Essays on Poetry, Politics, and the Erotic, by Alicia Suskin Ostriker, 337-338
Estella Lauter

Royal Representations: Queen Victoria and British Culture, 1837-1876, by Margaret Homans, 338-342
Susan T. Barstow

Jane Austen and the Fiction of Her Time, by Mary Waldron, 342-345
Allen Bauman

The Culture of Christina Rossetti: Female Poetics and Victorian Contexts, edited by Mary Arseneau, Anthony H. Harrison, and Lorraine Janzen Kooistra, 345-347
Toni Van Der Moere

Writing Double: Women’s Literary Partnerships, by Bette London, 347-349
Ann Ardis

Virginia Woolf in the Age of Mechanical Reproduction, edited by Pamela L. Caughie, 349-350
Christine Froula

Virginia Woolf and the Great War, by Karen L. Levenback, 350-353
Patricia M. Feito

Dorothy Richardson’s Art of Memory: Space, Identity, Text, by Elisabeth Bronfen, 353-355
Jean Radford

Reviews, Spring 2000, Vol. 19, No. 1

Radical Mansfield: Double Discourse in Katherine Mansfield’s Short Stories, by Pamela Dunbar, 137-139
Sydney Janet Kaplan

Bone Deep in Landscape: Writing, Reading, and Place, by Mary Clearman Blew, 139-140
Gregory L. Morris

The World Wars Through the Female Gaze, by Jean Gallagher, 140-143
D. Britton Gildersleeve

Queer Poetics: Five Modernist Women Writers, by Mary E. Galvin, 143-145
T. Allen Culpepper

The Lady Cornaro: Pride and Prodigy of Venice, by Jane Howard Guernsey, 146-148
Betty Rizzo

Willa Cather: Queering America, by Marilee Lindemann, 148-151
Jeane Harris

The Web of Iniquity: Early Detective Fiction by American Women, by Catherine Ross Nickerson, 151-154
Andrea Bradley

To Live in the Center of the Moment: Literary Autobiographies of Aging, by Barbara Waxman, 154-156
Anne M. Wyatt-Brown

Reviews, Fall 1999, Vol. 18, No. 2

Women and the Rise of the Novel, 1405-1726, by Josephine Donovan, 351-352
Joanne M. Cordón

Authorship, Commerce, and Gender in Early Eighteenth-Century England: A Culture of Paper Credit, by Catherine Ingrassia; Misogynous Economies: The Business of Literature in Eighteenth-Century Britain, by Laura Mandell, 352-357
Laura Stevens

Proposing Men: Dialectics of Gender and Class in the Eighteenth-Century English Periodical, by Shawn Lisa Maurer; The Women of Grub Street: Press, Politics, and Gender in the London Literary Marketplace 1678-1730, by Paula McDowell, 357-362
Elizabeth Kowaleski Wallace

Caroline Bowles Southey 1786-1854: The Making of a Woman Writer, by Virginia Blain, 362-365
John Bury

Women, Writing, and the Industrial Revolution, by Susan Zlotnick, 365-367
Lynette Felber

Lives of Their Own: Rhetorical Dimensions in Autobiographies of Women Activists, by Martha Watson, 367-369
Stacey Short

Mary Butts: Scenes from the Life, by Nathalie Blondel, 369-371
Donna Krolik Hollenberg

Black Venus: Sexualized Savages, Primal Fears, and Primitive Narratives in French, by T. Denean Sharpley-Whiting, 371-372
Opportune Zongo

Reviews, Spring 1999, Vol. 18, No. 2

Desiring Women Writing: English Renaissance Examples, by Jonathan Goldberg, 113-114
Teresa Feroli

Unnatural Affections: Women and Fiction in the Later 18th Century, by George E. Haggerty, 115-116
Terri Nickel

Elizabeth Barrett Browning’s Spiritual Progress: Face to Face with God, by Linda M. Lewis, 116-118
Joyce Zonana

Mary Ann Shadd Cary: the Black Press and Protest in the Nineteenth Century, by Jane Rhodes, 118-120
Jennifer Bernhardt Steadman

Spectacular Confessions: Autobiography, Performative Activism, and the Sites of Suffrage, 1905-1938, by Barbara Green, 120-122
Stacey Short

Through the Window, Out the Door: Women’s Narratives of Departure, From Austin and Cather to Tyler, Morrison, and Didion, by Janis P. Stout, 122-123
Heather White

Racechanges: White Skin, Black Face in American Culture, Susan Gubar, 124-125
Anne Stavney

Haiti, History, and the Gods, by Joan Dayan; Framing Silence: Revolutionary Novels by Haitian Women, by Myriam J. A. Chancy, 126-130
Kevin Meehan

The Mother and Narrative Politics in Modern China, by Sally Taylor Lieberman; Writing Women in Modern China: An Anthology of Women’s Literature From the Early Twentieth Century, edited by Amy D. Dooling and Kristina M. Torgeson, 130-134
Charles A. Laughlin

Reviews, Fall 1998, Vol. 17, No. 2

Women and the Book: Assessing the Visual Evidence, edited by Jane H. M. Taylor and Lesley Smith; The Case for Women in Medieval Culture, by Alcuin Blamires; To the Glory of Her Sex: Women’s Roles in the Composition of Medieval Texts, by Joan M. Ferrante, 349-355
Ursula Appelt

Closet Stages: Joanna Baillie and the Theater Theory of British Romantic Women Writers, by Catherine B. Burroughs, 355-357
Hermione de Almeida

Victorian Ghosts in the Noontide: Women Writers and the Supernatural, by Vanessa D. Dickerson, 357-360
Kristin Flieger Samuelian

Elizabeth Gaskell: The Early Years, by John Chapple, 360-332
Elsie B. Michie

Dissembling Fictions: Elizabeth Gaskell and the Victorian Social Text, by Deirdre d’Albertis, 360-362
Elsie B. Michie

Home Fronts: Domesticity and Its Critics in the Antebellum United States, by Lora Romero, 363-364
Laurel Bollinger

Anaïs Nin and the Remaking of Self: Gender, Modernism, and Narrative Identity, by Diane Richard-Allerdyce, 364-366
Heather White

Subject to Negotiation: Reading Feminist Criticism and American Women’s Fictions, by Elaine Neil Orr, 366-367
Kay B. Meyers

Toni Morrison: Critical and Theoretical Approaches, by Nancy J. Peterson, 368-370
Richard Hardack

Lesbian Panic: Homoeroticism in Modern British Women’s Fiction, by Patricia Juliana Smith; The Lesbian Menace: Ideology, Identity, and the Representation of Lesbian Life, by Sherrie A. Inness, 371-375
Ann M. Ciasullo

The Diva’s Mouth: Body, Voice, Prima Donna Politics, by Susan J. Leonardi and Rebecca A. Pope, 375-378
D. Britton Gildersleeve

Mary Wollstonecraft Sojourner Truth Margaret Atwood Abigail Adams Amy Tan H.D. Simone de Beauvoir Zora Neale Hurston Frances Burney Virginia Woolf

"The white saxifrage with the indented leafe is moste commended for the breakinge of the Stone."

— Turner, Herbal, III, 68 [1568]